{"id":1372,"date":"2022-02-13T13:16:24","date_gmt":"2022-02-13T12:16:24","guid":{"rendered":"https:\/\/phoebusfoundation.org\/agenda\/rooted\/"},"modified":"2023-05-12T13:32:23","modified_gmt":"2023-05-12T11:32:23","slug":"rooted","status":"publish","type":"agenda","link":"https:\/\/phoebusfoundation.org\/en\/agenda\/rooted\/","title":{"rendered":"ROOTED"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h3 class=\"wp-block-heading\" id=\"de-wortels-van-vlaanderen\">Painting Flanders 1880-1930<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A year after its first successful exhibition, the Chancellery presented another part of The Phoebus Foundation collection to the public. The stars of this event devoted to Flemish art between 1880 and 1930 were the period\u2019s most influential painters: Emile Claus, Valerius De Saedeleer, Gustave Van de Woestyne, George Minne, James Ensor, L\u00e9on Spilliaert, Rik Wouters, Frits Van den Berghe, Constant Permeke, Gust. De Smet, Hubert Malfait and Edgard Tytgat. The exhibition focused on a tipping point in Flemish artistic and cultural history and transported visitors back to the early twentieth century. But <em>ROOTED <\/em>was different and groundbreaking too. It was also about the present day and what it means to be Flemish, given that the boundary between past and present is gossamer-thin.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1430\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_23_OER-1430x2000.jpg\" alt=\"\" class=\"wp-image-1283 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_23_OER-1430x2000.jpg 1430w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_23_OER-858x1200.jpg 858w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_23_OER-768x1074.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_23_OER-1099x1536.jpg 1099w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_23_OER-1465x2048.jpg 1465w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_23_OER.jpg 1788w\" data-sizes=\"(max-width: 1430px) 100vw, 1430px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1430px; --smush-placeholder-aspect-ratio: 1430\/2000;\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>ROOTED<\/em> offered a selection of masterpieces. Many of the works are privately owned and were being shown to the public for the first time. The fairy-tale scenography gave a sense that visitors could walk around the paintings. ROOTED was another bullseye: in the space of four and a half months, over 60,000 people came to the Caermersklooster. <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2500\" height=\"1327\" data-id=\"1288\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_25_OER.jpg\" alt=\"\" class=\"wp-image-1288 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_25_OER.jpg 2500w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_25_OER-1200x637.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_25_OER-2000x1062.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_25_OER-768x408.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_25_OER-1536x815.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_25_OER-2048x1087.jpg 2048w\" data-sizes=\"(max-width: 2500px) 100vw, 2500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2500px; --smush-placeholder-aspect-ratio: 2500\/1327;\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2500\" height=\"1529\" data-id=\"1333\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_24_OER-1.jpg\" alt=\"\" class=\"wp-image-1333 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_24_OER-1.jpg 2500w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_24_OER-1-1200x734.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_24_OER-1-2000x1223.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_24_OER-1-768x470.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_24_OER-1-1536x939.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_24_OER-1-2048x1253.jpg 2048w\" data-sizes=\"(max-width: 2500px) 100vw, 2500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2500px; --smush-placeholder-aspect-ratio: 2500\/1529;\" \/><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"herbeleef-de-tentoonstelling\">Relive the exhibition!<\/h2>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/TPF-OER-Expobrochure_def.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">DOWNLOAD THE BROCHURE<\/a><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"center_content\">\n  <div style=\"padding-top:56.25%;margin-bottom: 50px;position:relative;background: #000;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/670734988?h=f0c85fe5f7&#038;color=998A5B&#038;title=0&#038;byline=0&#038;portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ROOTED presented another part of The Phoebus Foundation collection to the public. The stars of this event devoted to Flemish art between 1880 and 1930 were the period\u2019s most influential painters: Emile Claus, Valerius De Saedeleer, Gustave Van de Woestyne, George Minne, James Ensor, L\u00e9on Spilliaert, Rik Wouters, Frits Van den Berghe, Constant Permeke, Gust. De Smet, Hubert Malfait and Edgard Tytgat. The exhibition focused on a tipping point in Flemish artistic and cultural history and transported visitors back to the early twentieth century. But ROOTED was different and groundbreaking too. It was also about the present day and what it means to be Flemish, given that the boundary between past and present is gossamer-thin.<\/p>\n","protected":false},"featured_media":1288,"template":"","soort_agenda_item":[207],"class_list":["post-1372","agenda","type-agenda","status-publish","has-post-thumbnail","hentry","soort_agenda_item-exhibitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ROOTED - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"ROOTED presented another part of The Phoebus Foundation collection to the public. The stars of this event devoted to Flemish art between 1880 and 1930 were the period\u2019s most influential painters: Emile Claus, Valerius De Saedeleer, Gustave Van de Woestyne, George Minne, James Ensor, L\u00e9on Spilliaert, Rik Wouters, Frits Van den Berghe, Constant Permeke, Gust. De Smet, Hubert Malfait and Edgard Tytgat. The exhibition focused on a tipping point in Flemish artistic and cultural history and transported visitors back to the early twentieth century. But ROOTED was different and groundbreaking too. It was also about the present day and what it means to be Flemish, given that the boundary between past and present is gossamer-thin.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/agenda\/rooted\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ROOTED - The Phoebus Foundation\" \/>\n<meta property=\"og:description\" content=\"ROOTED presented another part of The Phoebus Foundation collection to the public. The stars of this event devoted to Flemish art between 1880 and 1930 were the period\u2019s most influential painters: Emile Claus, Valerius De Saedeleer, Gustave Van de Woestyne, George Minne, James Ensor, L\u00e9on Spilliaert, Rik Wouters, Frits Van den Berghe, Constant Permeke, Gust. De Smet, Hubert Malfait and Edgard Tytgat. The exhibition focused on a tipping point in Flemish artistic and cultural history and transported visitors back to the early twentieth century. But ROOTED was different and groundbreaking too. It was also about the present day and what it means to be Flemish, given that the boundary between past and present is gossamer-thin.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/phoebusfoundation.org\/en\/agenda\/rooted\/\" \/>\n<meta property=\"og:site_name\" content=\"The Phoebus Foundation\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePhoebusFoundation\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-12T11:32:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/02\/The-Phoebus-Foundation_agenda_25_OER.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2500\" \/>\n\t<meta property=\"og:image:height\" content=\"1327\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/agenda\\\/rooted\\\/\",\"url\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/agenda\\\/rooted\\\/\",\"name\":\"ROOTED - The Phoebus Foundation\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/agenda\\\/rooted\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/agenda\\\/rooted\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/phoebusfoundation.org\\\/wp-content\\\/uploads\\\/2022\\\/02\\\/The-Phoebus-Foundation_agenda_25_OER.jpg\",\"datePublished\":\"2022-02-13T12:16:24+00:00\",\"dateModified\":\"2023-05-12T11:32:23+00:00\",\"description\":\"ROOTED presented another part of The Phoebus Foundation collection to the public. 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