{"id":16944,"date":"2025-10-20T12:16:08","date_gmt":"2025-10-20T10:16:08","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=agenda&#038;p=16944"},"modified":"2025-10-21T09:38:16","modified_gmt":"2025-10-21T07:38:16","slug":"the-woman-question","status":"publish","type":"agenda","link":"https:\/\/phoebusfoundation.org\/en\/agenda\/the-woman-question\/","title":{"rendered":"The Woman Question"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\"><em data-start=\"216\" data-end=\"236\">The Woman Question<\/em> offers a fresh perspective on the position of women in art history. Across eight thematic chapters, a visual narrative unfolds that highlights the vitality and versatility of women in art over the past five centuries.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">The exhibition presents an impressive panorama of the gradual yet unstoppable artistic emancipation of women, featuring works ranging from the Renaissance, Barque and 19th-century paintings to contemporary creations. Among the highlights are a self-portrait of Angelika Kauffmann and <em>Female Artist at Work in the First Academy of Women in Belgium<\/em>, both from the collection of The Phoebus Foundation.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1589\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Angelika-Kauffmann-1589x2000.jpg\" alt=\"\" class=\"wp-image-16939 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Angelika-Kauffmann-1589x2000.jpg 1589w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Angelika-Kauffmann-954x1200.jpg 954w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Angelika-Kauffmann-768x966.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Angelika-Kauffmann-1221x1536.jpg 1221w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Angelika-Kauffmann-1628x2048.jpg 1628w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Angelika-Kauffmann-scaled.jpg 2034w\" data-sizes=\"(max-width: 1589px) 100vw, 1589px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1589px; --smush-placeholder-aspect-ratio: 1589\/2000;\" \/><figcaption class=\"wp-element-caption\">Angelika Kauffmann, <em>Self-portrait<\/em>, 1780<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1169\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Willem-Geets-1-1169x2000.jpg\" alt=\"\" class=\"wp-image-16941 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Willem-Geets-1-1169x2000.jpg 1169w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Willem-Geets-1-702x1200.jpg 702w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Willem-Geets-1-768x1313.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Willem-Geets-1-898x1536.jpg 898w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Willem-Geets-1-1197x2048.jpg 1197w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Willem-Geets-1-scaled.jpg 1497w\" data-sizes=\"(max-width: 1169px) 100vw, 1169px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1169px; --smush-placeholder-aspect-ratio: 1169\/2000;\" \/><figcaption class=\"wp-element-caption\">Willem Geets, <em>Female Artist at Work in the First Academy of Women in Belgium<\/em><em>, c.<\/em>1870-1900<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\"><em>The Woman Question\u00a0<\/em>until 3 May 2026 at the Museum of Modern Art in Warsaw.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Woman Question offers a fresh perspective on the position of women in art history. Across eight thematic chapters, a visual narrative unfolds that highlights the vitality and versatility of women in art over the past five centuries. The exhibition presents an impressive panorama of the gradual yet unstoppable artistic emancipation of women, featuring works ranging from the Renaissance, Barque and 19th-century paintings to contemporary creations. Among the highlights are a self-portrait of Angelika Kauffmann and Female Artist at Work in the First Academy of Women in Belgium, both from the collection of The Phoebus Foundation. The Woman Question\u00a0until 3 May 2026 at the Museum of Modern Art in Warsaw.<\/p>\n","protected":false},"featured_media":16937,"template":"","soort_agenda_item":[208],"class_list":["post-16944","agenda","type-agenda","status-publish","has-post-thumbnail","hentry","soort_agenda_item-travelling-treasures"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Woman Question - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"The Woman Question offers a fresh perspective on the position of women in art history. 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