{"id":16960,"date":"2025-10-21T09:14:56","date_gmt":"2025-10-21T07:14:56","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=agenda&#038;p=16960"},"modified":"2025-10-21T09:15:07","modified_gmt":"2025-10-21T07:15:07","slug":"landscapes-of-the-soul","status":"publish","type":"agenda","link":"https:\/\/phoebusfoundation.org\/en\/agenda\/landscapes-of-the-soul\/","title":{"rendered":"Landscapes of the Soul"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\"><strong>James Ensor &#8211; Claude Monet &#8211; L\u00e9on Spilliaert<\/strong><\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\"><em>Landscapes of the Soul<\/em> invites visitors to explore the Belgian art scene at the turn of the 19th century. The exhibition presents Brussels as a thriving hub of the avant-garde, where artists such as L\u00e9on Spilliaert, Th\u00e9o Van Rysselberghe, George Minne and James Ensor exchanged ideas with their French contemporaries and shaped their own visions of Impressionism, Symbolism and Fauvism.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1175\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-Arresting-Masqueraders-1-2000x1175.jpg\" alt=\"\" class=\"wp-image-16951 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-Arresting-Masqueraders-1-2000x1175.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-Arresting-Masqueraders-1-1200x705.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-Arresting-Masqueraders-1-768x451.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-Arresting-Masqueraders-1-1536x902.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-Arresting-Masqueraders-1-2048x1203.jpg 2048w\" data-sizes=\"(max-width: 2000px) 100vw, 2000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2000px; --smush-placeholder-aspect-ratio: 2000\/1175;\" \/><figcaption class=\"wp-element-caption\">James Ensor,\u00a0<em>Skeleton Arresting Masqueraders<\/em>, 1891<\/figcaption><\/figure>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Twenty-eight works from the collection of The Phoebus Foundation are shown alongside twenty-seven paintings by French masters from the Collection Rau for UNICEF. Together, they trace a shared artistic pursuit of the human soul in all its mystery, tension and light.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1071\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-in-Disguise-2000x1071.jpg\" alt=\"\" class=\"wp-image-16953 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-in-Disguise-2000x1071.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-in-Disguise-1200x642.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-in-Disguise-768x411.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-in-Disguise-1536x822.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-in-Disguise-2048x1096.jpg 2048w\" data-sizes=\"(max-width: 2000px) 100vw, 2000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2000px; --smush-placeholder-aspect-ratio: 2000\/1071;\" \/><figcaption class=\"wp-element-caption\">James Ensor,\u00a0<em>Skeleton in Disguise<\/em>, 1894<\/figcaption><\/figure>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1630\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Portrait-of-a-Woman-in-a-Blue-Blouse-1630x2000.jpg\" alt=\"\" class=\"wp-image-16955 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Portrait-of-a-Woman-in-a-Blue-Blouse-1630x2000.jpg 1630w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Portrait-of-a-Woman-in-a-Blue-Blouse-978x1200.jpg 978w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Portrait-of-a-Woman-in-a-Blue-Blouse-768x942.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Portrait-of-a-Woman-in-a-Blue-Blouse-1252x1536.jpg 1252w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Portrait-of-a-Woman-in-a-Blue-Blouse-1669x2048.jpg 1669w\" data-sizes=\"(max-width: 1630px) 100vw, 1630px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1630px; --smush-placeholder-aspect-ratio: 1630\/2000;\" \/><figcaption class=\"wp-element-caption\">Rik Wouters,\u00a0<em>Portret van een vrouw met blauwe blouse<\/em>, 1915<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1532\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Spilliaert-1532x2000.jpg\" alt=\"\" class=\"wp-image-16957 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Spilliaert-1532x2000.jpg 1532w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Spilliaert-919x1200.jpg 919w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Spilliaert-768x1002.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Spilliaert-1177x1536.jpg 1177w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Spilliaert-1569x2048.jpg 1569w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Spilliaert-scaled.jpg 1961w\" data-sizes=\"(max-width: 1532px) 100vw, 1532px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1532px; --smush-placeholder-aspect-ratio: 1532\/2000;\" \/><figcaption class=\"wp-element-caption\">L\u00e9on Spilliaert,\u00a0<em>Self-Portrait<\/em>, 1906<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\"><em>Landscapes of the Soul<\/em> runs until 8 March 2026 at the Arp Museum Bahnhof Rolandseck in Remagen near Bonn.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/arpmuseum.org\/en\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" width=\"601\" height=\"543\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Arp-Logo-WortBild-Hauptlogo.png\" alt=\"\" class=\"wp-image-16966 lazyload\" style=\"--smush-placeholder-width: 601px; --smush-placeholder-aspect-ratio: 601\/543;width:81px;height:auto\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/a><\/figure>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>James Ensor &#8211; Claude Monet &#8211; L\u00e9on Spilliaert Landscapes of the Soul invites visitors to explore the Belgian art scene at the turn of the 19th century. The exhibition presents Brussels as a thriving hub of the avant-garde, where artists such as L\u00e9on Spilliaert, Th\u00e9o Van Rysselberghe, George Minne and James Ensor exchanged ideas with their French contemporaries and shaped their own visions of Impressionism, Symbolism and Fauvism. Twenty-eight works from the collection of The Phoebus Foundation are shown alongside twenty-seven paintings by French masters from the Collection Rau for UNICEF. Together, they trace a shared artistic pursuit of the human soul in all its mystery, tension and light. Landscapes of the Soul runs until 8 March 2026 at the Arp Museum Bahnhof Rolandseck in Remagen near Bonn.<\/p>\n","protected":false},"featured_media":16950,"template":"","soort_agenda_item":[208],"class_list":["post-16960","agenda","type-agenda","status-publish","has-post-thumbnail","hentry","soort_agenda_item-travelling-treasures"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Landscapes of the Soul - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Landscapes of the Soul invites visitors to explore the Belgian art scene at the turn of the 19th century. The exhibition presents Brussels as a thriving hub of the avant-garde, where artists such as L\u00e9on Spilliaert, Th\u00e9o Van Rysselberghe, George Minne and James Ensor exchanged ideas with their French contemporaries and shaped their own visions of Impressionism, Symbolism and Fauvism.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/agenda\/landscapes-of-the-soul\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Landscapes of the Soul - The Phoebus Foundation\" \/>\n<meta property=\"og:description\" content=\"Landscapes of the Soul invites visitors to explore the Belgian art scene at the turn of the 19th century. The exhibition presents Brussels as a thriving hub of the avant-garde, where artists such as L\u00e9on Spilliaert, Th\u00e9o Van Rysselberghe, George Minne and James Ensor exchanged ideas with their French contemporaries and shaped their own visions of Impressionism, Symbolism and Fauvism.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/phoebusfoundation.org\/en\/agenda\/landscapes-of-the-soul\/\" \/>\n<meta property=\"og:site_name\" content=\"The Phoebus Foundation\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePhoebusFoundation\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-21T07:15:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/10\/Skeletons-Arresting-Masqueraders-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1503\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/agenda\\\/landscapes-of-the-soul\\\/\",\"url\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/agenda\\\/landscapes-of-the-soul\\\/\",\"name\":\"Landscapes of the Soul - The Phoebus Foundation\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/agenda\\\/landscapes-of-the-soul\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/phoebusfoundation.org\\\/en\\\/agenda\\\/landscapes-of-the-soul\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/phoebusfoundation.org\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/Skeletons-Arresting-Masqueraders-scaled.jpg\",\"datePublished\":\"2025-10-21T07:14:56+00:00\",\"dateModified\":\"2025-10-21T07:15:07+00:00\",\"description\":\"Landscapes of the Soul invites visitors to explore the Belgian art scene at the turn of the 19th century. 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