{"id":17086,"date":"2025-11-04T14:08:19","date_gmt":"2025-11-04T13:08:19","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=agenda&#038;p=17086"},"modified":"2025-12-23T16:51:46","modified_gmt":"2025-12-23T15:51:46","slug":"van-dyck-the-european","status":"publish","type":"agenda","link":"https:\/\/phoebusfoundation.org\/en\/agenda\/van-dyck-the-european\/","title":{"rendered":"Van Dyck, the European"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\"><em>Van Dyck, the European<\/em> at Palazzo Ducale Genoa takes visitors through the life and work of Anthony Van Dyck (Antwerp 1599 to London 1641). The exhibition traces his path from his Flemish beginnings, through his time in Genoa, to his breakthrough in London.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">With more than fifty paintings drawn from thirty-two museums across twenty-two European cities, the exhibition offers a complete portrait of an artist who navigated courts, ateliers and city life with natural ease, shaping his style to each setting while keeping his vision unmistakably his own.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Among the notable loans are ten works from The Phoebus Foundation, an exceptional selection that situates Van Dyck within the artistic world that shaped him. Included is a work by Rubens, serving as a steady anchor in Van Dyck\u2019s earliest artistic course.<\/p>\n<\/div><\/div>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1632\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Verraad-van-Christus-1632x2000.jpg\" alt=\"Painting of the Betrayal of Christ, showing Judas embracing Christ as soldiers approach with torches and weapons, by Anthony van Dyck, c. 1620&#x2013;1621.\" class=\"wp-image-17075 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Verraad-van-Christus-1632x2000.jpg 1632w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Verraad-van-Christus-979x1200.jpg 979w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Verraad-van-Christus-768x941.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Verraad-van-Christus-1253x1536.jpg 1253w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Verraad-van-Christus-1671x2048.jpg 1671w\" data-sizes=\"(max-width: 1632px) 100vw, 1632px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1632px; --smush-placeholder-aspect-ratio: 1632\/2000;\" \/><figcaption class=\"wp-element-caption\">Anthony Van Dyck,\u00a0<em>Betrayal of Christ<\/em>,\u00a0<em>c.<\/em>1620-1621<\/figcaption><\/figure>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1531\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Henricus-Liberti-1531x2000.jpg\" alt=\"Portrait of Henricus Liberti, leaning against a column and looking to the side, painted by Anthony van Dyck, c. 1627&#x2013;1632.\" class=\"wp-image-17073 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Henricus-Liberti-1531x2000.jpg 1531w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Henricus-Liberti-919x1200.jpg 919w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Henricus-Liberti-768x1003.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Henricus-Liberti-1176x1536.jpg 1176w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Henricus-Liberti-1568x2048.jpg 1568w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Henricus-Liberti-scaled.jpg 1960w\" data-sizes=\"(max-width: 1531px) 100vw, 1531px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1531px; --smush-placeholder-aspect-ratio: 1531\/2000;\" \/><figcaption class=\"wp-element-caption\">Anthony Van Dyck,<em> Portrait of Henricus Liberti<\/em>, <em>c.<\/em>1627-1632<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1147\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Elizabeth-Howard-1147x2000.jpg\" alt=\"Portrait of Elizabeth Howard, Countess of Peterborough, standing in a silver-coloured dress beside a column, painted by Anthony van Dyck, c. 1638.\" class=\"wp-image-17071 lazyload\" style=\"--smush-placeholder-width: 1147px; --smush-placeholder-aspect-ratio: 1147\/2000;width:355px;height:auto\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Elizabeth-Howard-1147x2000.jpg 1147w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Elizabeth-Howard-688x1200.jpg 688w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Elizabeth-Howard-768x1339.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Elizabeth-Howard-881x1536.jpg 881w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Elizabeth-Howard-1175x2048.jpg 1175w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Portret-van-Elizabeth-Howard-scaled.jpg 1468w\" data-sizes=\"(max-width: 1147px) 100vw, 1147px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><figcaption class=\"wp-element-caption\">Anthony Van Dyck,\u00a0<em>Portrait of Elizabeth Howard, Countess of Peterborough<\/em>, <em>c.<\/em>1638<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1547\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Marteling-van-Sint-Sebastiaan-1547x2000.jpg\" alt=\"Painting of the martyrdom of Saint Sebastian, bound to a tree and pierced by arrows, attended by angels, by Peter Paul Rubens, c. 1606&#x2013;1608\" class=\"wp-image-17069 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Marteling-van-Sint-Sebastiaan-1547x2000.jpg 1547w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Marteling-van-Sint-Sebastiaan-928x1200.jpg 928w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Marteling-van-Sint-Sebastiaan-768x993.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Marteling-van-Sint-Sebastiaan-1188x1536.jpg 1188w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Marteling-van-Sint-Sebastiaan-1585x2048.jpg 1585w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2025\/11\/Marteling-van-Sint-Sebastiaan-scaled.jpg 1981w\" data-sizes=\"(max-width: 1547px) 100vw, 1547px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1547px; --smush-placeholder-aspect-ratio: 1547\/2000;\" \/><figcaption class=\"wp-element-caption\">Peter Paul Rubens,\u00a0<em>Saint Sebastian tended by two angels, c.<\/em>1606-1608<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Van Dyck, the European at Palazzo Ducale Genoa takes visitors through the life and work of Anthony Van Dyck (Antwerp 1599 to London 1641). The exhibition traces his path from his Flemish beginnings, through his time in Genoa, to his breakthrough in London. With more than fifty paintings drawn from thirty-two museums across twenty-two European cities, the exhibition offers a complete portrait of an artist who navigated courts, ateliers and city life with natural ease, shaping his style to each setting while keeping his vision unmistakably his own. Among the notable loans are ten works from The Phoebus Foundation, an exceptional selection that situates Van Dyck within the artistic world that shaped him. Included is a work by Rubens, serving as a steady anchor in Van Dyck\u2019s earliest artistic course.<\/p>\n","protected":false},"featured_media":17076,"template":"","soort_agenda_item":[208],"class_list":["post-17086","agenda","type-agenda","status-publish","has-post-thumbnail","hentry","soort_agenda_item-travelling-treasures"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Van Dyck, the European - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Van Dyck, the European at Palazzo Ducale Genoa takes visitors through the life and work of Anthony Van Dyck (Antwerp 1599 to London 1641). 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