{"id":20212,"date":"2026-08-27T11:56:42","date_gmt":"2026-08-27T09:56:42","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=agenda&#038;p=20212"},"modified":"2026-10-09T16:46:51","modified_gmt":"2026-10-09T14:46:51","slug":"the-moulins-triptych-a-renaissance-masterpiece-restored-to-its-former-glory","status":"publish","type":"agenda","link":"https:\/\/phoebusfoundation.org\/en\/agenda\/the-moulins-triptych-a-renaissance-masterpiece-restored-to-its-former-glory\/","title":{"rendered":"The Moulins Triptych: a Renaissance masterpiece restored to its former glory"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:16px\">This autumn, the Royal Monastery of Brou brings together an exceptional group of works for the exhibition The Moulins Triptych: a Renaissance masterpiece restored to its former glory. At its heart is Jean Hey\u2019s recently restored <em>Triptych of the Virgin in Glory<\/em>.<\/p>\n\n<p class=\"wp-block-paragraph\" style=\"font-size:16px\">The monumental triptych was painted around 1498 for Moulins Cathedral, commissioned by Anne de France and Pierre II de Bourbon. Following more than three years of research and restoration, it now takes centre stage in an exhibition exploring Jean Hey\u2019s remarkable career, from his artistic training in Flanders to his work at the French court.<\/p>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1778\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2026\/07\/Maria-met-Kind-en-de-heiligen-Thomas-Johannes-de-Doper-Hieronymus-en-Lodewijk-2000x1778.webp\" alt=\"\" class=\"wp-image-20206 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2026\/07\/Maria-met-Kind-en-de-heiligen-Thomas-Johannes-de-Doper-Hieronymus-en-Lodewijk-2000x1778.webp 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2026\/07\/Maria-met-Kind-en-de-heiligen-Thomas-Johannes-de-Doper-Hieronymus-en-Lodewijk-1200x1067.webp 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2026\/07\/Maria-met-Kind-en-de-heiligen-Thomas-Johannes-de-Doper-Hieronymus-en-Lodewijk-768x683.webp 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2026\/07\/Maria-met-Kind-en-de-heiligen-Thomas-Johannes-de-Doper-Hieronymus-en-Lodewijk-1536x1366.webp 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2026\/07\/Maria-met-Kind-en-de-heiligen-Thomas-Johannes-de-Doper-Hieronymus-en-Lodewijk-2048x1821.webp 2048w\" data-sizes=\"(max-width: 2000px) 100vw, 2000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2000px; --smush-placeholder-aspect-ratio: 2000\/1778;\" \/><figcaption class=\"wp-element-caption\">Hugo van der Goes, <em>The Virgin and Child with Saints Thomas, John the Baptist, Jerome and Louis<\/em>, <em>c<\/em>.1470-1482<\/figcaption><\/figure>\n\n<p class=\"wp-block-paragraph\" style=\"font-size:16px\">Also on display is <em>The Virgin and Child with Saints Thomas, John the Baptist, Jerome and Louis<\/em> from The Phoebus Foundation collection. Attributed to Hugo van der Goes, the painting offers a fascinating point of comparison with Jean Hey. It has long featured in research into Hey\u2019s artistic training and his relationship with Van der Goes, who appears to have been an important influence on the younger painter. Bringing the two artists together makes this artistic connection tangible and places Hey\u2019s work within the broader cultural exchange between the Low Countries and France at the end of the fifteenth century.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This autumn, the Royal Monastery of Brou brings together an exceptional group of works for the exhibition The Moulins Triptych: a Renaissance masterpiece restored to its former glory. At its heart is Jean Hey\u2019s recently restored Triptych of the Virgin in Glory. The monumental triptych was painted around 1498 for Moulins Cathedral, commissioned by Anne de France and Pierre II de Bourbon. Following more than three years of research and restoration, it now takes centre stage in an exhibition exploring Jean Hey\u2019s remarkable career, from his artistic training in Flanders to his work at the French court. Also on display is The Virgin and Child with Saints Thomas, John the Baptist, Jerome and Louis from The Phoebus Foundation collection. Attributed to Hugo van der Goes, the painting offers a fascinating point of comparison with Jean Hey. It has long featured in research into Hey\u2019s artistic training and his relationship with Van der Goes, who appears to have been an important influence on the younger painter. Bringing the two artists together makes this artistic connection tangible and places Hey\u2019s work within the broader cultural exchange between the Low Countries and France at the end of the fifteenth century.<\/p>\n","protected":false},"featured_media":20211,"template":"","soort_agenda_item":[208],"class_list":["post-20212","agenda","type-agenda","status-publish","has-post-thumbnail","hentry","soort_agenda_item-travelling-treasures"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.9-RC5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Moulins Triptych: a Renaissance masterpiece restored to its former glory - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Discover The Moulins Triptych at the Royal Monastery of Brou, alongside a work by Hugo van der Goes from The Phoebus Foundation collection.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/agenda\/the-moulins-triptych-a-renaissance-masterpiece-restored-to-its-former-glory\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Moulins Triptych: a Renaissance masterpiece restored to its former glory - 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