{"id":477,"date":"2022-02-13T14:33:37","date_gmt":"2022-02-13T13:33:37","guid":{"rendered":"https:\/\/phoebusfoundation.org\/agenda\/becoming-famous-peter-paul-rubens\/"},"modified":"2023-05-12T13:31:45","modified_gmt":"2023-05-12T11:31:45","slug":"becoming-famous-peter-paul-rubens","status":"publish","type":"agenda","link":"https:\/\/phoebusfoundation.org\/en\/agenda\/becoming-famous-peter-paul-rubens\/","title":{"rendered":"Becoming Famous: Peter Paul Rubens"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Peter Paul Rubens (1577\u20131640) is arguably the most successful Flemish Baroque painter. His works are characterized by an impressive, colorful imagery that is highly recognizable. Even during Rubens\u2019s lifetime were people prepared to pay the highest prices for his works. But how did Rubens succeed in becoming a painter who is celebrated throughout all of Europe?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This exhibition shows how Rubens laid the foundations for his later success in Italy: he worked in Italy for the ducal court in Mantua as well as for the powerful Doge families in Genoa. Between 1600 and 1608, he continuously expanded his network and gained influential nobles, scholars and diplomats as patrons. Meanwhile, he spent his Italian years to study ancient and renaissance art in Rome and elsewhere.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One hundred paintings and works on paper tell the story of Rubens&#8217; stay in Italy and the beginnings of his great studio in Antwerp. With the loan of Rubens&#8217; Portrait of Emperor Servius Sulpicius Galba and the drawing A satyress Reaches for a Herm of Pan from the master&#8217;s sketchbook, The Phoebus Foundation is making an important contribution to this exhibition.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_3_schetsboek-scaled.jpg\" alt=\"\" class=\"wp-image-445 lazyload\" width=\"474\" height=\"641\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_3_schetsboek-scaled.jpg 1891w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_3_schetsboek-222x300.jpg 222w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_3_schetsboek-756x1024.jpg 756w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_3_schetsboek-768x1040.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_3_schetsboek-1135x1536.jpg 1135w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_3_schetsboek-1513x2048.jpg 1513w\" data-sizes=\"(max-width: 474px) 100vw, 474px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 474px; --smush-placeholder-aspect-ratio: 474\/641;\" \/><figcaption class=\"wp-element-caption\">Peter Paul Rubens, <em> A Double-sided Page of Studies:A Satyress Reaching for a Herm of Pan (recto)<\/em>, <em>c.<\/em>1600-08<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1552\" height=\"2000\" data-src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_2_Galba-1552x2000.jpg\" alt=\"\" class=\"wp-image-447 lazyload\" data-srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_2_Galba-1552x2000.jpg 1552w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_2_Galba-931x1200.jpg 931w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_2_Galba-768x990.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_2_Galba-1192x1536.jpg 1192w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_2_Galba-1589x2048.jpg 1589w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2021\/09\/The-Phoebus-Foundation_Tentoonstelling_2_Galba-scaled.jpg 1987w\" data-sizes=\"(max-width: 1552px) 100vw, 1552px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1552px; --smush-placeholder-aspect-ratio: 1552\/2000;\" \/><figcaption class=\"wp-element-caption\">Peter Paul Rubens, <em>Portrait of Emperor Galba, c.<\/em>1598-1600<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Peter Paul Rubens (1577\u20131640) is arguably the most successful Flemish Baroque painter. His works are characterized by an impressive, colorful imagery that is highly recognizable. Even during Rubens\u2019s lifetime were people prepared to pay the highest prices for his works. But how did Rubens succeed in becoming a painter who is celebrated throughout all of Europe? This exhibition shows how Rubens laid the foundations for his later success in Italy: he worked in Italy for the ducal court in Mantua as well as for the powerful Doge families in Genoa. Between 1600 and 1608, he continuously expanded his network and gained influential nobles, scholars and diplomats as patrons. Meanwhile, he spent his Italian years to study ancient and renaissance art in Rome and elsewhere. One hundred paintings and works on paper tell the story of Rubens&#8217; stay in Italy and the beginnings of his great studio in Antwerp. With the loan of Rubens&#8217; Portrait of Emperor Servius Sulpicius Galba and the drawing A satyress Reaches for a Herm of Pan from the master&#8217;s sketchbook, The Phoebus Foundation is making an important contribution to this exhibition.<\/p>\n","protected":false},"featured_media":447,"template":"","soort_agenda_item":[208],"class_list":["post-477","agenda","type-agenda","status-publish","has-post-thumbnail","hentry","soort_agenda_item-travelling-treasures"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Becoming Famous: Peter Paul Rubens - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Peter Paul Rubens (1577\u20131640) is arguably the most successful Flemish Baroque painter. 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