{"id":10126,"date":"2023-08-09T16:25:48","date_gmt":"2023-08-09T14:25:48","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=beleef&#038;p=10126"},"modified":"2026-01-09T12:28:45","modified_gmt":"2026-01-09T11:28:45","slug":"pregnancy-portraits-by-jacob-jordaens-and-anthony-van-dyck","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/pregnancy-portraits-by-jacob-jordaens-and-anthony-van-dyck\/","title":{"rendered":"Pregnancy portraits by Jacob Jordaens and Anthony van Dyck"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Little was known about portraits of pregnant women. Moreover, it was assumed that Southern Netherlandish portraits of mothers-to-be did not exist at all. Until now! Thanks to archival and cultural-historical research, dr Leen Kelchtermans and dr Katharina Van Cauteren were able to identify no less than five portraits of pregnant women, painted by the greatest Baroque masters: Jacob Jordaens&#8217; portrait of Catharina Behaghel (now in the collection of the Rijksmuseum, Amsterdam) and Anthony Van Dyck&#8217;s portraits of Anna Wake (Mauritshuis, The Hague), Marie Nutius (The Phoebus Foundation), Sebilla Van den Berghe (Alte Pinakothek, Munich) and Marie De Raet (Wallace Collection, London). All five are part of a pair of pendants in which their images are combined with those of their spouses. Completely against tradition, the pregnant women are not depicted to the left of their husbands and thus in the inferior position, but to their right. As expectant mothers of the heir, they even seem to be given the place of honor!<\/p>\n<\/div><\/div>\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1414\" height=\"1313\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/08\/phoebus-reads_achtergrond-WIT.png\" alt=\"Two seventeenth-century portraits shown side by side, depicting a woman and a man dressed in dark clothing with white ruff collars against a plain background.\" class=\"wp-image-10121\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/08\/phoebus-reads_achtergrond-WIT.png 1414w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/08\/phoebus-reads_achtergrond-WIT-1200x1114.png 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/08\/phoebus-reads_achtergrond-WIT-768x713.png 768w\" sizes=\"(max-width: 1414px) 100vw, 1414px\" \/><figcaption class=\"wp-element-caption\">Anthony Van Dyck,\u00a0<em>Portraits of\u00a0Marie Nutius and Jacob De Witte<\/em>,<em>\u00a0c.<\/em>1628-29.<\/figcaption><\/figure>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Read the full article\u00a0<em>\u2018Pregnancy Portraits by Jacob Jordaens and Anthony Van Dyck\u2019,\u00a0<\/em>\u00a0in\u00a0<em>Simiolus: Netherlands Quarterly for the History of Art.<\/em><\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/simiolus.nl\/\">Simiolus<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Little was known about portraits of pregnant women. Moreover, it was assumed that Southern Netherlandish portraits of mothers-to-be did not exist at all. Until now! Thanks to archival and cultural-historical research, dr Leen Kelchtermans and dr Katharina Van Cauteren were able to identify no less than five portraits of pregnant women, painted by the greatest Baroque masters: Jacob Jordaens&#8217; portrait of Catharina Behaghel (now in the collection of the Rijksmuseum, Amsterdam) and Anthony Van Dyck&#8217;s portraits of Anna Wake (Mauritshuis, The Hague), Marie Nutius (The Phoebus Foundation), Sebilla Van den Berghe (Alte Pinakothek, Munich) and Marie De Raet (Wallace Collection, London). All five are part of a pair of pendants in which their images are combined with those of their spouses. Completely against tradition, the pregnant women are not depicted to the left of their husbands and thus in the inferior position, but to their right. As expectant mothers of the heir, they even seem to be given the place of honor! Read the full article\u00a0\u2018Pregnancy Portraits by Jacob Jordaens and Anthony Van Dyck\u2019,\u00a0\u00a0in\u00a0Simiolus: Netherlands Quarterly for the History of Art.<\/p>\n","protected":false},"featured_media":10124,"template":"","soort_artikel":[167],"class_list":["post-10126","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pregnancy portraits by Jacob Jordaens and Anthony van Dyck - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Discover five rare pregnancy portraits by Jacob Jordaens and Anthony van Dyck, revealing an overlooked tradition in seventeenth-century portraiture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/beleef\/pregnancy-portraits-by-jacob-jordaens-and-anthony-van-dyck\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pregnancy portraits by Jacob Jordaens and Anthony van Dyck - 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