{"id":10312,"date":"2023-09-12T11:25:45","date_gmt":"2023-09-12T09:25:45","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=beleef&#038;p=10312"},"modified":"2025-12-29T16:50:44","modified_gmt":"2025-12-29T15:50:44","slug":"adam-frans-van-der-meulen-entry-of-louis-xiv-in-douai","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/adam-frans-van-der-meulen-entry-of-louis-xiv-in-douai\/","title":{"rendered":"Adam Frans Van der Meulen &#8211; Entry of Louis XIV in Douai"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">The Brussels painter Adam Frans Van der Meulen (1632-1690) created quite a furore at the court of the French King Louis XIV (1638-1715). He immortalised his military triumphs, embellished with the necessary pomp and bravado, as he did the royal couple\u2019s entry in Douai, Northern France, in 1667. In this <em>Phoebus Focus<\/em> episode, Dr Leen Kelchtermans brings various subtleties and details to light, unravelling new insights into the creation and meaning of this work of art.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Episode 21: Intrede van Lodewijk XIV in Douai (Adam Frans Van der Meulen) - Leen Kelchtermans\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/episode\/0clEoG7ikfNMC7xzTrbGfz?si=-8URNut3TVi9kiCIJQvdxQ&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"2560\" height=\"2034\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-3-scaled.jpg\" alt=\"Adam Frans van der Meulen, The Entry of Louis XIV and Maria Theresa into Douai in 1667, after 1667. Monumental history painting depicting a ceremonial entry with a golden carriage, surrounded by horsemen, courtiers, and a large crowd, set against an urban backdrop of fortifications and smoke-filled skies.\" class=\"wp-image-10299\" style=\"width:980px;height:778px\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-3-scaled.jpg 2560w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-3-1200x953.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-3-768x610.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-3-1536x1220.jpg 1536w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><figcaption class=\"wp-element-caption\">Adam Frans Van der Meulen,&nbsp;<em>Entry of Louis XIV and Maria Theresia in Douai in 1667<\/em>, after 1667<br><br>Antwerp, The Phoebus Foundation<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"2373\" height=\"2560\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-1-scaled.jpg\" alt=\"\" class=\"wp-image-10301\" style=\"width:474px;height:511px\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-1-scaled.jpg 2373w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-1-1112x1200.jpg 1112w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-1-768x828.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-1-1424x1536.jpg 1424w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-1-1899x2048.jpg 1899w\" sizes=\"(max-width: 2373px) 100vw, 2373px\" \/><figcaption class=\"wp-element-caption\">Detail of the version in the collection of The Phoebus Foundation: horsemen behind the carriage <\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1952\" height=\"2560\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-2-scaled.jpg\" alt=\"Detail showing an unidentified horseman riding in a ceremonial procession, surrounded by courtiers and spectators in seventeenth-century dress, with an ornate carriage in the background, version from The Phoebus Foundation collection.\" class=\"wp-image-10307\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-2-scaled.jpg 1952w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-2-915x1200.jpg 915w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-2-768x1007.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-2-1171x1536.jpg 1171w\" sizes=\"(max-width: 1952px) 100vw, 1952px\" \/><figcaption class=\"wp-element-caption\">Detail of the version in the collection of The Phoebus Foundation: unknown horseman<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"8266\" height=\"6196\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-4.jpg\" alt=\"Detail showing women seated inside an elaborately decorated golden carriage, visible through glass windows and surrounded by attendants and onlookers in seventeenth-century dress, part of a ceremonial procession, version from The Phoebus Foundation collection.\" class=\"wp-image-10305\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-4.jpg 8266w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-4-1200x899.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/09\/7051-_-1-4-768x576.jpg 768w\" sizes=\"(max-width: 8266px) 100vw, 8266px\" \/><figcaption class=\"wp-element-caption\">Detail of the version in the collection of The Phoebus Foundation: ladies in the carriage<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Want to know more? Discover the\u00a0<a href=\"https:\/\/phoebusfoundation.org\/en\/phoebus_findings\/3\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Phoebus Finding<\/em><\/a>:<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/phoebusfoundation.org\/en\/phoebus_findings\/3\/\" target=\"_blank\" rel=\"noreferrer noopener\">Phoebus Finding <\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Brussels painter Adam Frans Van der Meulen (1632-1690) created quite a furore at the court of the French King Louis XIV (1638-1715). He immortalised his military triumphs, embellished with the necessary pomp and bravado, as he did the royal couple\u2019s entry in Douai, Northern France, in 1667. In this Phoebus Focus episode, Dr Leen Kelchtermans brings various subtleties and details to light, unravelling new insights into the creation and meaning of this work of art. Want to know more? Discover the\u00a0Phoebus Finding:<\/p>\n","protected":false},"featured_media":10301,"template":"","soort_artikel":[168],"class_list":["post-10312","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-podcast-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Adam Frans Van der Meulen - Entry of Louis XIV in Douai - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"In this episode of the Phoebus Focus podcast, Leen Kelchtermans explores how Adam Frans Van der Meulen captured the ceremonial entry of Louis XIV into Douai, revealing how painting became a powerful instrument of royal image and political ambition.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/beleef\/adam-frans-van-der-meulen-entry-of-louis-xiv-in-douai\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Adam Frans Van der Meulen - 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