{"id":11860,"date":"2023-10-31T14:10:53","date_gmt":"2023-10-31T13:10:53","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=beleef&#038;p=11860"},"modified":"2026-01-09T10:54:08","modified_gmt":"2026-01-09T09:54:08","slug":"conservation-treatment-of-the-party-by-rafael-barradas","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/conservation-treatment-of-the-party-by-rafael-barradas\/","title":{"rendered":"Conservation treatment of &#8216;The Party&#8217; by Rafael Barradas"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">As part of the conservation of The Phoebus Foundation&#8217;s modern and contemporary Latin American collection, Rafael Barradas&#8217;s painting <em>The Party from <\/em>1910\u00a0is currently in the hands of Clara Bondia.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">It showcases an expressive figurative style that predates Barradas&#8217; renowned vibrationism. Within the artwork, his skills as a caricaturist shine through, evident in the joyful expressions and celebratory atmosphere exuded by the characters.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1335\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns5-2000x1335.jpg\" alt=\"Conservator Clara Bondia in The Phoebus Foundation&#x2019;s studio, posing beside The Feast by Rafael Barradas on an easel.\" class=\"wp-image-11832\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns5-2000x1335.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns5-1200x801.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns5-768x513.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns5-1536x1025.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns5-2048x1367.jpg 2048w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/figure>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">The oil paint layers on the canvas exhibit a modified format, with noticeable clear edge truncations in several areas. It is possible that these alterations were made either over time or by the artist during the creation process.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Through a comprehensive comparative analysis and empirical research, it was determined that the work was formerly lined using a resin wax system. It is evident that the initial adhesion between the pictorial layer and the canvas was inadequate, likely prompting the decision to conduct the lining treatment in the past.<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1335\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns3-2000x1335.jpg\" alt=\"Conservator retouching a historic painting on an easel in a conservation studio.\" class=\"wp-image-11835\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns3-2000x1335.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns3-1200x801.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns3-768x513.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns3-1536x1025.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/Ns3-2048x1367.jpg 2048w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2000\" height=\"1600\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/NEWSLETTER-COLLAGE.png\" alt=\"Close-up of a painting during conservation, showing textured brushstrokes and a conservator&#x2019;s spatula at work.\" class=\"wp-image-11847\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/NEWSLETTER-COLLAGE.png 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/NEWSLETTER-COLLAGE-1200x960.png 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/NEWSLETTER-COLLAGE-768x614.png 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/NEWSLETTER-COLLAGE-1536x1229.png 1536w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/figure>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">The tonality of the artwork was slightly darkened by a layer of dirt on the surface, and it had developed a yellowish hue caused by the oxidation of a thin layer of varnish. The white layers of the dresses of the female figures were by far the most affected. Additionally, there were issues related to polychromy, including discoloration and the presence of thick overpainting that encroached upon portions of the original paint layer.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Due to the weak condition of the artwork and the fact that the various changes are aesthetically disturbing, we decided to perform several treatments, prioritizing minimal interventions with absolute respect for the artist&#8217;s original intentions.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1910\" height=\"2000\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/General_Image_After_Treatment-1910x2000.jpg\" alt=\"Painting depicting elegantly dressed figures at a ball, rendered with loose brushstrokes and warm tones.\" class=\"wp-image-11840\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/General_Image_After_Treatment-1910x2000.jpg 1910w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/General_Image_After_Treatment-1146x1200.jpg 1146w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/General_Image_After_Treatment-768x804.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/General_Image_After_Treatment-1467x1536.jpg 1467w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/10\/General_Image_After_Treatment-1956x2048.jpg 1956w\" sizes=\"(max-width: 1910px) 100vw, 1910px\" \/><\/figure>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">The restoration process began with a two-stage cleaning procedure aimed at eliminating surface dirt and removing the discolored, oxidized varnish and overpainting. This restoration effort successfully revitalized the work, revealing the vibrant original colors. In the next phase, the missing polychromy was addressed by conducting both volumetric and chromatic reintegration. Finally, a thin protective varnish layer was applied to safeguard the piece.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This conservation project is part of a larger initiative focused on preserving the Latin American art collection of The Phoebus Foundation. It is a pleasure to treat this painting along with several other gems and return it to its original glory.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>As part of the conservation of The Phoebus Foundation&#8217;s modern and contemporary Latin American collection, Rafael Barradas&#8217;s painting The Party from 1910\u00a0is currently in the hands of Clara Bondia. It showcases an expressive figurative style that predates Barradas&#8217; renowned vibrationism. Within the artwork, his skills as a caricaturist shine through, evident in the joyful expressions and celebratory atmosphere exuded by the characters. The oil paint layers on the canvas exhibit a modified format, with noticeable clear edge truncations in several areas. It is possible that these alterations were made either over time or by the artist during the creation process. Through a comprehensive comparative analysis and empirical research, it was determined that the work was formerly lined using a resin wax system. It is evident that the initial adhesion between the pictorial layer and the canvas was inadequate, likely prompting the decision to conduct the lining treatment in the past. The tonality of the artwork was slightly darkened by a layer of dirt on the surface, and it had developed a yellowish hue caused by the oxidation of a thin layer of varnish. The white layers of the dresses of the female figures were by far the most affected. Additionally, there were issues related to polychromy, including discoloration and the presence of thick overpainting that encroached upon portions of the original paint layer. Due to the weak condition of the artwork and the fact that the various changes are aesthetically disturbing, we decided to perform several treatments, prioritizing minimal interventions with absolute respect for the artist&#8217;s original intentions. The restoration process began with a two-stage cleaning procedure aimed at eliminating surface dirt and removing the discolored, oxidized varnish and overpainting. This restoration effort successfully revitalized the work, revealing the vibrant original colors. In the next phase, the missing polychromy was addressed by conducting both volumetric and chromatic reintegration. Finally, a thin protective varnish layer was applied to safeguard the piece. This conservation project is part of a larger initiative focused on preserving the Latin American art collection of The Phoebus Foundation. It is a pleasure to treat this painting along with several other gems and return it to its original glory.<\/p>\n","protected":false},"featured_media":11832,"template":"","soort_artikel":[223],"class_list":["post-11860","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-behind-the-scenes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Conservation treatment of &#039;The Party&#039; by Rafael Barradas - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Discover the conservation of The Party (1910) by Rafael Barradas at The Phoebus Foundation, an early work from before his Vibracionism era.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/beleef\/conservation-treatment-of-the-party-by-rafael-barradas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conservation treatment of &#039;The Party&#039; by Rafael Barradas - 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