{"id":13160,"date":"2023-11-28T09:50:00","date_gmt":"2023-11-28T08:50:00","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=beleef&#038;p=13160"},"modified":"2026-01-08T16:26:06","modified_gmt":"2026-01-08T15:26:06","slug":"baroque-artists-portraits","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/baroque-artists-portraits\/","title":{"rendered":"Baroque Artists&#8217; Portraits"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">With Koen Fillet and Leen Kelchtermans, researcher at The Phoebus Foundation <\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">In this episode, we dive into the fascinating world of Baroque self-portraits. Together with Dr Leen Kelchtermans, we discover more about the fascinating dynamic created when artists are both the model and creator of a work of art. Furthermore, we highlight why they immortalise themselves, and where they look for inspiration. A unique look into the artistic masterminds of the past!<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\r\n<iframe title=\"Spotify Embed: Episode 23: Barokke kunstenaarsportretten - Leen Kelchtermans\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/episode\/4l26gvwwK1IOFLUCX4yvLd?si=kPEuPi4sQE62iy73Fq9ZAw&#038;utm_source=oembed\"><\/iframe>\r\n<\/div><\/figure><br>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"6338\" height=\"8362\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3267-_-1_JPG.jpg\" alt=\"Anthony van Dyck, Portrait of the Antwerp Jeweller Johannes Gansacker, c. 1618&#x2013;1620. Formal portrait of a man dressed in black with a white collar, seated before a red drapery with a distant landscape view, painted in Van Dyck&#x2019;s elegant and refined portrait style.\" class=\"wp-image-13143\" style=\"aspect-ratio:0.7579526429083951;width:980px;height:auto\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3267-_-1_JPG.jpg 6338w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3267-_-1_JPG-910x1200.jpg 910w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3267-_-1_JPG-768x1013.jpg 768w\" sizes=\"(max-width: 6338px) 100vw, 6338px\" \/><figcaption class=\"wp-element-caption\">Antoon Van Dyck,\u00a0<em>Portrait of Antwerp Jeweller Johannes Gansacker<\/em>,\u00a0<em>c<\/em>.1619-20<\/figcaption><\/figure>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1443\" height=\"2000\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/4139-_-1_-JPG-1443x2000.jpg\" alt=\"Jan Cossiers, Self-Portrait, c. 1626&#x2013;1627. Intimate self-portrait of the artist holding palette and brush, turning toward the viewer within a dark studio interior with still-life elements, painted with subtle lighting and psychological acuity.\" class=\"wp-image-13145\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/4139-_-1_-JPG-1443x2000.jpg 1443w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/4139-_-1_-JPG-866x1200.jpg 866w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/4139-_-1_-JPG-768x1064.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/4139-_-1_-JPG-1108x1536.jpg 1108w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/4139-_-1_-JPG-1478x2048.jpg 1478w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/4139-_-1_-JPG-scaled.jpg 1847w\" sizes=\"(max-width: 1443px) 100vw, 1443px\" \/><figcaption class=\"wp-element-caption\">Jan Cossiers,\u00a0<em>Self-Portrait<\/em>,\u00a0<em>c.<\/em>1620-27<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1293\" height=\"2000\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/8217-_-1-JPG-1293x2000.jpg\" alt=\"Johannes Wierix, Portrait of Frans Floris, 1572. Engraved artist&#x2019;s portrait of Frans Floris seated with palette and brush, shown in three-quarter view with an intense gaze, accompanied by an inscription highlighting his reputation as an Antwerp history painter.\" class=\"wp-image-13147\" style=\"aspect-ratio:0.6465;width:474px;height:auto\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/8217-_-1-JPG-1293x2000.jpg 1293w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/8217-_-1-JPG-776x1200.jpg 776w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/8217-_-1-JPG-768x1188.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/8217-_-1-JPG-993x1536.jpg 993w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/8217-_-1-JPG-1324x2048.jpg 1324w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/8217-_-1-JPG-scaled.jpg 1654w\" sizes=\"(max-width: 1293px) 100vw, 1293px\" \/><figcaption class=\"wp-element-caption\">Johannes Wierix,\u00a0<em>Portrait of Frans Floris<\/em>, 1572<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1335\" height=\"2000\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/2606-_-100_-JPG-1335x2000.jpg\" alt=\"Jacob Neefs after Anthony van Dyck, Title Page with Self-Portrait of Anthony van Dyck (Icones Principum Virorum), 1645&#x2013;1646. Engraved title page featuring a profile bust of Van Dyck above an elaborate cartouche with allegorical figures and inscriptions, referring to his portrait series of rulers, scholars, and artists.\" class=\"wp-image-13149\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/2606-_-100_-JPG-1335x2000.jpg 1335w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/2606-_-100_-JPG-801x1200.jpg 801w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/2606-_-100_-JPG-768x1150.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/2606-_-100_-JPG-1025x1536.jpg 1025w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/2606-_-100_-JPG-1367x2048.jpg 1367w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/2606-_-100_-JPG-scaled.jpg 1709w\" sizes=\"(max-width: 1335px) 100vw, 1335px\" \/><figcaption class=\"wp-element-caption\">Anthony Van Dyck en Jacob Neefs, <em>Title Page with Self-Portrait of Anthony Van Dyck<\/em>, 1645-46<\/figcaption><\/figure>\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1564\" height=\"2000\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3244-_-1-JPG-1564x2000.jpg\" alt=\"Erasmus Quellinus II, Portrait of Jan Philips Van Thielen, c. 1659&#x2013;1660. Informal portrait of a man with long hair and moustache, dressed in a light-colored outfit, casually leaning against a balustrade with a garden or landscape in the background, painted in soft tones and a fluid brushwork style.\" class=\"wp-image-13151\" style=\"aspect-ratio:0.782;width:980px;height:auto\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3244-_-1-JPG-1564x2000.jpg 1564w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3244-_-1-JPG-939x1200.jpg 939w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3244-_-1-JPG-768x982.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3244-_-1-JPG-1201x1536.jpg 1201w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3244-_-1-JPG-1602x2048.jpg 1602w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/3244-_-1-JPG.jpg 2000w\" sizes=\"(max-width: 1564px) 100vw, 1564px\" \/><figcaption class=\"wp-element-caption\">Erasmus Quellinus II,\u00a0<em>Portrait of Jan Philips Van Thielen,\u00a0<\/em><em>c.<\/em>1659-60<\/figcaption><\/figure>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1506\" height=\"2000\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/5162-_-1-JPG-1506x2000.jpg\" alt=\"David II Teniers, Self-Portrait at the Age of Thirty-Four, 1645. Self-portrait of the artist dressed in dark clothing with a white lace collar, standing beside a stone wall with a view onto a landscape, painted with a direct gaze and confident, loose brushwork.\" class=\"wp-image-13153\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/5162-_-1-JPG-1506x2000.jpg 1506w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/5162-_-1-JPG-904x1200.jpg 904w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/5162-_-1-JPG-768x1020.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/5162-_-1-JPG-1157x1536.jpg 1157w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/5162-_-1-JPG-1542x2048.jpg 1542w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/5162-_-1-JPG-scaled.jpg 1928w\" sizes=\"(max-width: 1506px) 100vw, 1506px\" \/><figcaption class=\"wp-element-caption\">David Teniers II,\u00a0<em>Self-Portrait at the Age of Thirty-Four<\/em>, 1645<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"570\" height=\"720\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2023\/11\/570px-Selbstportrat_by_Albrecht_Durer_from_Prado_in_Google_Earth.jpg\" alt=\"Albrecht D&#xFC;rer, Self-Portrait, 1498. Self-assured Renaissance portrait of the artist with long curly hair and a cap, dressed in refined attire and set before a window opening onto an Alpine landscape, an early assertion of artistic identity.\" class=\"wp-image-13155\"\/><figcaption class=\"wp-element-caption\">Albrecht D\u00fcrer,<em> Self-Portrait<\/em>, 1498<br\/><br\/>Madrid, Museo Nacional del Prado<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<p class=\"wp-block-paragraph\">Want to know more? Order the accompanying publication!<\/p>\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/phoebusfoundation.org\/shop\/blind-date\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Blind Date &#8211; The Bold and The Beautiful<\/em><\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>With Koen Fillet and Leen Kelchtermans, researcher at The Phoebus Foundation In this episode, we dive into the fascinating world of Baroque self-portraits. Together with Dr Leen Kelchtermans, we discover more about the fascinating dynamic created when artists are both the model and creator of a work of art. Furthermore, we highlight why they immortalise themselves, and where they look for inspiration. A unique look into the artistic masterminds of the past! Want to know more? Order the accompanying publication!<\/p>\n","protected":false},"featured_media":13176,"template":"","soort_artikel":[168],"class_list":["post-13160","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-podcast-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Baroque Artists&#039; Portraits - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"The Phoebus Focus Podcast examines Baroque artists\u2019 portraits and the dynamics of self-representation, with Leen Kelchtermans.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/beleef\/baroque-artists-portraits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baroque Artists&#039; 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