{"id":14543,"date":"2024-04-25T12:09:29","date_gmt":"2024-04-25T10:09:29","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=beleef&#038;p=14543"},"modified":"2026-01-06T14:13:00","modified_gmt":"2026-01-06T13:13:00","slug":"the-portrait-in-the-low-countries-in-the-sixteenth-century","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/the-portrait-in-the-low-countries-in-the-sixteenth-century\/","title":{"rendered":"The Portrait in the Low Countries in the Sixteenth Century"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">With Koen Fillet and Dr Paul Huvenne, art historian and former director of KMSKA.<\/p>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">In this episode of Phoebus Focus, host Paul Huvenne explores the world of sixteenth-century portraits, shedding light on the developments and creative innovations within this genre.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\r\n<iframe title=\"Spotify Embed: Episode 28: Het zestiende-eeuwse portret in de Lage Landen - Paul Huvenne\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/episode\/4jTkBzhGAfG3TtDsdQH9MM?si=lA00TCu0Qn6Zl4Wu-ZiCVQ&#038;utm_source=oembed\"><\/iframe>\r\n<\/div><\/figure><br>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" width=\"1556\" height=\"2000\" data-id=\"14525\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19725-1556x2000.jpg\" alt=\"Workshop of Jan Cornelisz. Vermeyen, Portrait of Emperor Charles V, c. 1530. Formal portrait of the Habsburg ruler with beard and black cap, dressed in dark court attire with a fur-trimmed cloak, set against a plain blue background.\" class=\"wp-image-14525\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19725-1556x2000.jpg 1556w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19725-934x1200.jpg 934w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19725-768x987.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19725-1195x1536.jpg 1195w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19725-1594x2048.jpg 1594w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19725-scaled.jpg 1992w\" sizes=\"(max-width: 1556px) 100vw, 1556px\" \/><figcaption class=\"wp-element-caption\">Workshop of Jan Cornelisz. Vermeyen,\u00a0<em>Portrait of Emperor Charles V<\/em>,\u00a0<em>c.<\/em>1530<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1602\" height=\"2000\" data-id=\"14527\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19726-1602x2000.jpg\" alt=\"Workshop of Jan Cornelisz. Vermeyen, Portrait of Isabella of Portugal, c. 1530. Formal portrait of a noblewoman with auburn hair, wearing a dark dress with wide sleeves and an ornate necklace, set against a plain blue background.\" class=\"wp-image-14527\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19726-1602x2000.jpg 1602w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19726-961x1200.jpg 961w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19726-768x959.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19726-1230x1536.jpg 1230w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19726-1640x2048.jpg 1640w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/19726.jpg 2000w\" sizes=\"(max-width: 1602px) 100vw, 1602px\" \/><figcaption class=\"wp-element-caption\">Workshop of Jan Cornelisz. Vermeyen,\u00a0<em>Portrait of Isabella of Portugal<\/em>,\u00a0<em>c.<\/em>1530<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1022\" data-id=\"14529\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/3398-2000x1022.jpg\" alt=\"Circle of Frans Floris, Triptych with the Raising of Lazarus and the Family of Jacob Stockel with Saints James and Catherine (detail), c. 1570. Religious scene showing Christ raising Lazarus from the dead, surrounded by onlookers, with donor portraits and saints on the side panels, dressed in richly detailed sixteenth-century attire.\" class=\"wp-image-14529\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/3398-2000x1022.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/3398-1200x613.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/3398-768x392.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/3398-1536x785.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/3398-2048x1046.jpg 2048w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><figcaption class=\"wp-element-caption\">Circle of Frans Floris,\u00a0<em>Triptych of the Raising of Lazarus, with the Family of Jacob Stockel, Saint James and Saint Catherine<\/em>,<em> c.<\/em>1570<\/figcaption><\/figure>\n<\/figure>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1397\" data-id=\"14531\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4350-2000x1397.jpg\" alt=\"Master of the Antwerp Adoration, Triptych with the Crucifixion, c. 1520. Late Gothic triptych featuring the crucified Christ at the center, flanked by Mary, John, and other saints, with donor figures shown on the side panels within a richly detailed landscape.\" class=\"wp-image-14531\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4350-2000x1397.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4350-1200x838.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4350-768x536.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4350-1536x1073.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4350-2048x1430.jpg 2048w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><figcaption class=\"wp-element-caption\">Master of the Antwerp Adoration,\u00a0<em>Crucifixion Triptych<\/em>,\u00a0<em>c<\/em>.1520<\/figcaption><\/figure>\n<\/figure>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" width=\"1406\" height=\"2000\" data-id=\"14533\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-1-1406x2000.jpg\" alt=\"Frans II Pourbus, Portrait of Willem Van Vyve, 1591. Formal portrait of a man dressed in black with a prominent white ruff, set against a neutral background with a coat of arms in the upper corner, characteristic of refined late sixteenth-century Flemish court portraiture.\" class=\"wp-image-14533\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-1-1406x2000.jpg 1406w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-1-843x1200.jpg 843w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-1-768x1093.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-1-1080x1536.jpg 1080w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-1-1439x2048.jpg 1439w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-1-scaled.jpg 1799w\" sizes=\"(max-width: 1406px) 100vw, 1406px\" \/><figcaption class=\"wp-element-caption\">Frans Pourbus II,\u00a0<em>Pendant Portrait of Willem Van Vyve<\/em>, 1591<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" width=\"1427\" height=\"2000\" data-id=\"14535\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-2-1427x2000.jpg\" alt=\"Frans II Pourbus, Portrait of Marie De Huelstre, 1591. Formal portrait of a woman dressed in black court attire with an elaborate white ruff and refined jewelry, set against a neutral background with a family coat of arms, characteristic of late sixteenth-century Flemish portrait painting.\" class=\"wp-image-14535\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-2-1427x2000.jpg 1427w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-2-856x1200.jpg 856w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-2-768x1076.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-2-1096x1536.jpg 1096w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-2-1462x2048.jpg 1462w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/4499-2-scaled.jpg 1827w\" sizes=\"(max-width: 1427px) 100vw, 1427px\" \/><figcaption class=\"wp-element-caption\">Frans Pourbus II,\u00a0<em>Pendant Portrait of Marie De Huelstre<\/em>, 1591<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Curious to learn more? Explore the accompanying publication.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/phoebusfoundation.org\/shop\/blind-date\/\"><em>Blind Date, Portretten met blikken en blozen<\/em><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>With Koen Fillet and Dr Paul Huvenne, art historian and former director of KMSKA. In this episode of Phoebus Focus, host Paul Huvenne explores the world of sixteenth-century portraits, shedding light on the developments and creative innovations within this genre. Curious to learn more? Explore the accompanying publication.<\/p>\n","protected":false},"featured_media":14540,"template":"","soort_artikel":[168],"class_list":["post-14543","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-podcast-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Portrait in the Low Countries in the Sixteenth Century - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Art historian Paul Huvenne explores the rise of sixteenth century portraiture in the Low Countries, focusing on innovation, style and meaning in this episode of the Phoebus Focus podcast.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/beleef\/the-portrait-in-the-low-countries-in-the-sixteenth-century\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Portrait in the Low Countries in the Sixteenth Century - 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