{"id":14804,"date":"2024-04-30T15:56:48","date_gmt":"2024-04-30T13:56:48","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=beleef&#038;p=14804"},"modified":"2026-01-06T12:22:24","modified_gmt":"2026-01-06T11:22:24","slug":"restoration-of-wautiers-bust-of-a-saint","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/","title":{"rendered":"Restoration of Wautier&#8217;s &#8216;Bust of a Saint&#8217;"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><span data-preserver-spaces=\"true\">Eva van Zuien, independent restorer specialising in old masters, recently completed the restoration of a true artistic gem. Commissioned by The Phoebus Foundation, she breathed new life into <em>Bust of a Saint <\/em>by Brussels artist Michaelina Wautier.<\/span><\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1335\" height=\"2000\" data-id=\"14786\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-1335x2000.jpg\" alt=\"Art conservator working on a historic painting, carefully retouching a female portrait on an easel using a fine brush and palette.\" class=\"wp-image-14786\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-1335x2000.jpg 1335w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-801x1200.jpg 801w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-768x1150.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-1025x1536.jpg 1025w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-1367x2048.jpg 1367w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg 1709w\" sizes=\"auto, (max-width: 1335px) 100vw, 1335px\" \/><\/figure>\n<\/figure>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><span data-preserver-spaces=\"true\">Michaelina&#8217;s distinctive touch is easily recognisable in this beautiful work.\u00a0<\/span><span data-preserver-spaces=\"true\">The way in which<\/span><span data-preserver-spaces=\"true\">\u00a0she painted the soft features, the eyes and the drapery embodies her characteristic style. Additionally, the artist signed the work in her typical manner, placing her full first and last name,\u00a0<\/span><em><span data-preserver-spaces=\"true\">Michaelina Wautier\u00a0<\/span><span data-preserver-spaces=\"true\">fecit<\/span><\/em><span data-preserver-spaces=\"true\">, in the upper left corner.<\/span><\/p>\n<\/div><\/div>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1684\" height=\"2000\" data-id=\"14794\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/Phoebus_5581_Wautier_NusteHeiligeVrouw_RESIZED-JPEG-1684x2000.jpg\" alt=\"Detail of a historic female portrait with a downcast gaze, softly modelled features and a translucent veil, before conservation treatment.\" class=\"wp-image-14794\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/Phoebus_5581_Wautier_NusteHeiligeVrouw_RESIZED-JPEG-1684x2000.jpg 1684w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/Phoebus_5581_Wautier_NusteHeiligeVrouw_RESIZED-JPEG-1010x1200.jpg 1010w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/Phoebus_5581_Wautier_NusteHeiligeVrouw_RESIZED-JPEG-768x912.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/Phoebus_5581_Wautier_NusteHeiligeVrouw_RESIZED-JPEG-1293x1536.jpg 1293w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/Phoebus_5581_Wautier_NusteHeiligeVrouw_RESIZED-JPEG-1724x2048.jpg 1724w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/Phoebus_5581_Wautier_NusteHeiligeVrouw_RESIZED-JPEG.jpg 2000w\" sizes=\"auto, (max-width: 1684px) 100vw, 1684px\" \/><figcaption class=\"wp-element-caption\">before treatment<\/figcaption><\/figure>\n<\/figure>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>The painting was in a moderate condition before treatment. It had been lined in the past, but the edges were damaged, causing the canvas to no longer be adequately stretched on the frame. Furthermore, the paint layers appeared dull due to surface dirt and the presence of a yellowed varnish layer. Notably, a significant portion of the background on the left side of the painting had been subject to overpainting.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Removing the old varnish layer resulted in a notable transformation. Previously obscured original colour nuances, like the blush on the cheeks, became more discernible in the face, and a gradient from light to dark in the background became more visible. The removal of the old overpainting on the left revealed an original underpainting, deliberately left exposed by the artist in a vertical strip. The reason for Wautier&#8217;s choice in this matter remains unclear, but it seems that this bust might have been painted on the edge of a larger canvas.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1657\" height=\"2000\" data-id=\"14796\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1-during_res_RESIZED-1657x2000.jpg\" alt=\"Detail of a historic female portrait during conservation, showing paint losses and flaking in the paint layer around the shoulder and neckline.\" class=\"wp-image-14796\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1-during_res_RESIZED-1657x2000.jpg 1657w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1-during_res_RESIZED-994x1200.jpg 994w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1-during_res_RESIZED-768x927.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1-during_res_RESIZED-1273x1536.jpg 1273w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1-during_res_RESIZED-1697x2048.jpg 1697w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1-during_res_RESIZED.jpg 1933w\" sizes=\"auto, (max-width: 1657px) 100vw, 1657px\" \/><figcaption class=\"wp-element-caption\">during the restoration<\/figcaption><\/figure>\n<\/figure>\n<\/div><\/div>\n<\/div><\/div>\n\n<p>An interesting phenomenon in this painting is the presence of many protrusions on the paint surface. Countless small white crater-like formations are visible throughout the entire work. This is the result of lead soap formation, a chemical ageing process in the paint layer. Considering the disruptive visual effect of these light dots, it was decided to retouch the most distracting ones.<\/p>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1328\" data-id=\"14798\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_0034-2000x1328.jpg\" alt=\"Macro detail of a painting&#x2019;s signature, showing paint protrusions and the granular texture of the paint surface.\" class=\"wp-image-14798\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_0034-2000x1328.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_0034-1200x797.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_0034-768x510.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_0034-1536x1020.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_0034-2048x1360.jpg 2048w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><figcaption class=\"wp-element-caption\">detail of the signature with protrusions<\/figcaption><\/figure>\n<\/figure>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1665\" height=\"2000\" data-id=\"14800\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1_REsized-1665x2000.jpg\" alt=\"Portrait of a young woman after restoration, showing renewed skin tones, softened shadows, and clearer colours in the face and clothing.\" class=\"wp-image-14800\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1_REsized-1665x2000.jpg 1665w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1_REsized-999x1200.jpg 999w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1_REsized-768x922.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1_REsized-1279x1536.jpg 1279w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1_REsized-1705x2048.jpg 1705w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/5581-1_REsized.jpg 2000w\" sizes=\"auto, (max-width: 1665px) 100vw, 1665px\" \/><figcaption class=\"wp-element-caption\">after the restoration<\/figcaption><\/figure>\n<\/figure>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Thanks to this careful restoration, the artwork can once again be admired in all its splendor!<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Eva van Zuien, independent restorer specialising in old masters, recently completed the restoration of a true artistic gem. Commissioned by The Phoebus Foundation, she breathed new life into Bust of a Saint by Brussels artist Michaelina Wautier. Michaelina&#8217;s distinctive touch is easily recognisable in this beautiful work.\u00a0The way in which\u00a0she painted the soft features, the eyes and the drapery embodies her characteristic style. Additionally, the artist signed the work in her typical manner, placing her full first and last name,\u00a0Michaelina Wautier\u00a0fecit, in the upper left corner. The painting was in a moderate condition before treatment. It had been lined in the past, but the edges were damaged, causing the canvas to no longer be adequately stretched on the frame. Furthermore, the paint layers appeared dull due to surface dirt and the presence of a yellowed varnish layer. Notably, a significant portion of the background on the left side of the painting had been subject to overpainting. Removing the old varnish layer resulted in a notable transformation. Previously obscured original colour nuances, like the blush on the cheeks, became more discernible in the face, and a gradient from light to dark in the background became more visible. The removal of the old overpainting on the left revealed an original underpainting, deliberately left exposed by the artist in a vertical strip. The reason for Wautier&#8217;s choice in this matter remains unclear, but it seems that this bust might have been painted on the edge of a larger canvas. An interesting phenomenon in this painting is the presence of many protrusions on the paint surface. Countless small white crater-like formations are visible throughout the entire work. This is the result of lead soap formation, a chemical ageing process in the paint layer. Considering the disruptive visual effect of these light dots, it was decided to retouch the most distracting ones. Thanks to this careful restoration, the artwork can once again be admired in all its splendor!<\/p>\n","protected":false},"featured_media":14787,"template":"","soort_artikel":[223],"class_list":["post-14804","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-behind-the-scenes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Restoration of Wautier&#039;s &#039;Bust of a Saint&#039; - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Discover how conservator Eva van Zuien restored Bust of a Saint by Michaelina Wautier. A refined restoration project from The Phoebus Foundation collection, revealing the artist\u2019s craftsmanship and intent.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Restoration of Wautier&#039;s &#039;Bust of a Saint&#039; - The Phoebus Foundation\" \/>\n<meta property=\"og:description\" content=\"Discover how conservator Eva van Zuien restored Bust of a Saint by Michaelina Wautier. A refined restoration project from The Phoebus Foundation collection, revealing the artist\u2019s craftsmanship and intent.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/\" \/>\n<meta property=\"og:site_name\" content=\"The Phoebus Foundation\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePhoebusFoundation\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-06T11:22:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1709\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/\",\"url\":\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/\",\"name\":\"Restoration of Wautier's 'Bust of a Saint' - The Phoebus Foundation\",\"isPartOf\":{\"@id\":\"https:\/\/phoebusfoundation.org\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg\",\"datePublished\":\"2024-04-30T13:56:48+00:00\",\"dateModified\":\"2026-01-06T11:22:24+00:00\",\"description\":\"Discover how conservator Eva van Zuien restored Bust of a Saint by Michaelina Wautier. A refined restoration project from The Phoebus Foundation collection, revealing the artist\u2019s craftsmanship and intent.\",\"breadcrumb\":{\"@id\":\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#primaryimage\",\"url\":\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg\",\"contentUrl\":\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg\",\"width\":1709,\"height\":2560},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/phoebusfoundation.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Restoration of Wautier&#8217;s &#8216;Bust of a Saint&#8217;\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/phoebusfoundation.org\/en\/#website\",\"url\":\"https:\/\/phoebusfoundation.org\/en\/\",\"name\":\"The Phoebus Foundation\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/phoebusfoundation.org\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/phoebusfoundation.org\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/phoebusfoundation.org\/en\/#organization\",\"name\":\"The Phoebus Foundation\",\"url\":\"https:\/\/phoebusfoundation.org\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/phoebusfoundation.org\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/The-phoebus-foundation_logo.png\",\"contentUrl\":\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/The-phoebus-foundation_logo.png\",\"width\":800,\"height\":828,\"caption\":\"The Phoebus Foundation\"},\"image\":{\"@id\":\"https:\/\/phoebusfoundation.org\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/ThePhoebusFoundation\",\"https:\/\/www.instagram.com\/thephoebusfoundation\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Restoration of Wautier's 'Bust of a Saint' - The Phoebus Foundation","description":"Discover how conservator Eva van Zuien restored Bust of a Saint by Michaelina Wautier. A refined restoration project from The Phoebus Foundation collection, revealing the artist\u2019s craftsmanship and intent.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/","og_locale":"en_US","og_type":"article","og_title":"Restoration of Wautier's 'Bust of a Saint' - The Phoebus Foundation","og_description":"Discover how conservator Eva van Zuien restored Bust of a Saint by Michaelina Wautier. A refined restoration project from The Phoebus Foundation collection, revealing the artist\u2019s craftsmanship and intent.","og_url":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/","og_site_name":"The Phoebus Foundation","article_publisher":"https:\/\/www.facebook.com\/ThePhoebusFoundation","article_modified_time":"2026-01-06T11:22:24+00:00","og_image":[{"width":1709,"height":2560,"url":"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/","url":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/","name":"Restoration of Wautier's 'Bust of a Saint' - The Phoebus Foundation","isPartOf":{"@id":"https:\/\/phoebusfoundation.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#primaryimage"},"image":{"@id":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#primaryimage"},"thumbnailUrl":"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg","datePublished":"2024-04-30T13:56:48+00:00","dateModified":"2026-01-06T11:22:24+00:00","description":"Discover how conservator Eva van Zuien restored Bust of a Saint by Michaelina Wautier. A refined restoration project from The Phoebus Foundation collection, revealing the artist\u2019s craftsmanship and intent.","breadcrumb":{"@id":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#primaryimage","url":"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg","contentUrl":"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2024\/04\/DSC_7056-scaled.jpg","width":1709,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/phoebusfoundation.org\/en\/beleef\/restoration-of-wautiers-bust-of-a-saint\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/phoebusfoundation.org\/en\/"},{"@type":"ListItem","position":2,"name":"Restoration of Wautier&#8217;s &#8216;Bust of a Saint&#8217;"}]},{"@type":"WebSite","@id":"https:\/\/phoebusfoundation.org\/en\/#website","url":"https:\/\/phoebusfoundation.org\/en\/","name":"The Phoebus Foundation","description":"","publisher":{"@id":"https:\/\/phoebusfoundation.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/phoebusfoundation.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/phoebusfoundation.org\/en\/#organization","name":"The Phoebus Foundation","url":"https:\/\/phoebusfoundation.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/phoebusfoundation.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/The-phoebus-foundation_logo.png","contentUrl":"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/The-phoebus-foundation_logo.png","width":800,"height":828,"caption":"The Phoebus Foundation"},"image":{"@id":"https:\/\/phoebusfoundation.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ThePhoebusFoundation","https:\/\/www.instagram.com\/thephoebusfoundation\/"]}]}},"_links":{"self":[{"href":"https:\/\/phoebusfoundation.org\/en\/wp-json\/wp\/v2\/beleef\/14804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/phoebusfoundation.org\/en\/wp-json\/wp\/v2\/beleef"}],"about":[{"href":"https:\/\/phoebusfoundation.org\/en\/wp-json\/wp\/v2\/types\/beleef"}],"version-history":[{"count":3,"href":"https:\/\/phoebusfoundation.org\/en\/wp-json\/wp\/v2\/beleef\/14804\/revisions"}],"predecessor-version":[{"id":17941,"href":"https:\/\/phoebusfoundation.org\/en\/wp-json\/wp\/v2\/beleef\/14804\/revisions\/17941"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/phoebusfoundation.org\/en\/wp-json\/wp\/v2\/media\/14787"}],"wp:attachment":[{"href":"https:\/\/phoebusfoundation.org\/en\/wp-json\/wp\/v2\/media?parent=14804"}],"wp:term":[{"taxonomy":"soort_artikel","embeddable":true,"href":"https:\/\/phoebusfoundation.org\/en\/wp-json\/wp\/v2\/soort_artikel?post=14804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}