{"id":18628,"date":"2026-04-17T12:25:51","date_gmt":"2026-04-17T10:25:51","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=beleef&#038;p=18628"},"modified":"2026-04-20T09:48:58","modified_gmt":"2026-04-20T07:48:58","slug":"in-memoriam-dr-paul-huvenne-1949-2026","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/in-memoriam-dr-paul-huvenne-1949-2026\/","title":{"rendered":"In memoriam: Dr Paul Huvenne (1949\u20132026)"},"content":{"rendered":"\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Once, dying was an art. The medieval <em>ars moriendi<\/em> taught how to let go of life: with acceptance and dignity, with faith and hope. But one can only die with grace if one has understood what it is to live.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2026\/04\/LUM_2432-1-2000x1334.jpg\" alt=\"\" class=\"wp-image-18614\" style=\"aspect-ratio:1.4992948150981282;width:845px;height:auto\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Dr Paul Huvenne lived \u2013 generously and wholeheartedly, with flair and curiosity. As director first of the Rubenshuis (Rubens House), and later of the Royal Museum of Fine Arts Antwerp (KMSKA), he did not move pebbles, but boulders in the river. Paul breathed Rubens, yet, standing on the giant\u2019s shoulders, he looked towards the future. He set Jan Fabre loose on the Old Masters, brought dispersed diptychs back together, and, as one of the first museum directors in the world, devoted an exhibition to women artists. And when the KMSKA had to close in 2011 for its major renovation, he handled that, too, with panache, giving Jan Vanriet free rein in the increasingly empty galleries.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">It was then, in that indeterminate period of a collection without its museum, that he called me, out of the blue. I had just defended my doctoral thesis and did not quite know what to do with myself. I found a respectable job \u2013 a permanent contract, a neat Volvo, an orderly life. And then the phone rang: \u2018We\u2019re putting on an exhibition here on 350 years of the Antwerp Academy, and I\u2019m looking for someone to do the work.\u2019 A few days later, the Volvo was no more. It was the best decision of my life.<\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Paul believed in me at a moment when few others did. He gave me extraordinary opportunities \u2013 an exhibition at the MAS museum, a project in Mumbai, two exhibitions in the Netherlands. Making books, writing articles, teaching courses: Paul gave wings and confidence. When, after his retirement, he himself sought a new path, I asked him to help develop the CoBrA depot for The Phoebus Foundation. Without hesitation, he threw himself into paintings that at first glance seemed no more than children\u2019s scribbles. To him, they spoke for themselves.<\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Of course Paul understood the CoBrA movement. He was a <em>homo ludens<\/em>: an eternally playful boy, who could fold a penguin from a simple piece of paper, a crane, a rabbit or a frog. At one point I had dozens \u2013 no, hundreds \u2013 sometimes folded from origami paper, more often from napkins, placemats, or, if need be, from the wrapper of a sweet. In his inside pocket lived a calligraphy pen and a Japanese brush, with which he could, in a few strokes, draw bamboo stems. \u2018Form follows material,\u2019 he would remark in passing, and suddenly we would move from stems to Pourbus, perhaps by way of a poem he had learned as a child. Then, over a drink, he would unfold a theory that first made you think: what does he mean? Then: how does he come up with this? Only to conclude: he is right.<\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">For Paul saw what others did not. As a dyslexic, he found texts quickly to be too many letters. Yet that apparent limitation proved his greatest gift. Paul thought in images. He could compare Van der Weyden to Spike and Suzy, Rubens to Spielberg or to Walter Van Beirendonck. Antwerp was Hollywood, and of course a laughing emoji was rightly word of the year. An image, after all, says more than a thousand words. Paul looked, Paul saw, and suddenly you understood what seems so self-evident, yet is never neutral.<\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">On 15 April 2026, Dr Paul Huvenne died of a relentless cancer. In his final weeks we spoke of Anne of Austria and Louis XIV, of the ladder of life and Fortune\u2019s wheel: today you are on top; tomorrow laid low. But titans do not die, not really. They go underground \u2013 no, under the skin. They carry the stars, they drive the sun. Paul lives on in his writings. In the newly renovated KMSKA. And in his art historical library, which he generously bequeathed to The Phoebus Foundation. For the foundation, too, follows his gaze: by teaching me how to look, Paul, without words, wrote a new story. His flame became Phoebus\u2019s spark.<br\/>And the fire burns.<\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Grand merci, Paul.<br\/>Take care as you cross.<\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Dr Katharina Van Cauteren<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Once, dying was an art. The medieval ars moriendi taught how to let go of life: with acceptance and dignity, with faith and hope. But one can only die with grace if one has understood what it is to live. Dr Paul Huvenne lived \u2013 generously and wholeheartedly, with flair and curiosity. As director first of the Rubenshuis (Rubens House), and later of the Royal Museum of Fine Arts Antwerp (KMSKA), he did not move pebbles, but boulders in the river. Paul breathed Rubens, yet, standing on the giant\u2019s shoulders, he looked towards the future. He set Jan Fabre loose on the Old Masters, brought dispersed diptychs back together, and, as one of the first museum directors in the world, devoted an exhibition to women artists. And when the KMSKA had to close in 2011 for its major renovation, he handled that, too, with panache, giving Jan Vanriet free rein in the increasingly empty galleries. It was then, in that indeterminate period of a collection without its museum, that he called me, out of the blue. I had just defended my doctoral thesis and did not quite know what to do with myself. I found a respectable job \u2013 a permanent contract, a neat Volvo, an orderly life. And then the phone rang: \u2018We\u2019re putting on an exhibition here on 350 years of the Antwerp Academy, and I\u2019m looking for someone to do the work.\u2019 A few days later, the Volvo was no more. It was the best decision of my life. Paul believed in me at a moment when few others did. He gave me extraordinary opportunities \u2013 an exhibition at the MAS museum, a project in Mumbai, two exhibitions in the Netherlands. Making books, writing articles, teaching courses: Paul gave wings and confidence. When, after his retirement, he himself sought a new path, I asked him to help develop the CoBrA depot for The Phoebus Foundation. Without hesitation, he threw himself into paintings that at first glance seemed no more than children\u2019s scribbles. To him, they spoke for themselves. Of course Paul understood the CoBrA movement. He was a homo ludens: an eternally playful boy, who could fold a penguin from a simple piece of paper, a crane, a rabbit or a frog. At one point I had dozens \u2013 no, hundreds \u2013 sometimes folded from origami paper, more often from napkins, placemats, or, if need be, from the wrapper of a sweet. In his inside pocket lived a calligraphy pen and a Japanese brush, with which he could, in a few strokes, draw bamboo stems. \u2018Form follows material,\u2019 he would remark in passing, and suddenly we would move from stems to Pourbus, perhaps by way of a poem he had learned as a child. Then, over a drink, he would unfold a theory that first made you think: what does he mean? Then: how does he come up with this? Only to conclude: he is right. For Paul saw what others did not. As a dyslexic, he found texts quickly to be too many letters. Yet that apparent limitation proved his greatest gift. Paul thought in images. He could compare Van der Weyden to Spike and Suzy, Rubens to Spielberg or to Walter Van Beirendonck. Antwerp was Hollywood, and of course a laughing emoji was rightly word of the year. An image, after all, says more than a thousand words. Paul looked, Paul saw, and suddenly you understood what seems so self-evident, yet is never neutral. On 15 April 2026, Dr Paul Huvenne died of a relentless cancer. In his final weeks we spoke of Anne of Austria and Louis XIV, of the ladder of life and Fortune\u2019s wheel: today you are on top; tomorrow laid low. But titans do not die, not really. They go underground \u2013 no, under the skin. They carry the stars, they drive the sun. Paul lives on in his writings. In the newly renovated KMSKA. And in his art historical library, which he generously bequeathed to The Phoebus Foundation. For the foundation, too, follows his gaze: by teaching me how to look, Paul, without words, wrote a new story. His flame became Phoebus\u2019s spark.And the fire burns. Grand merci, Paul.Take care as you cross. Dr Katharina Van Cauteren<\/p>\n","protected":false},"featured_media":18614,"template":"","soort_artikel":[40],"class_list":["post-18628","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-nieuws"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>In memoriam: Dr Paul Huvenne (1949\u20132026) - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Once, dying was an art. The medieval ars moriendi taught how to let go of life: with acceptance and dignity, with faith and hope. 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