{"id":3359,"date":"2022-03-21T15:53:07","date_gmt":"2022-03-21T14:53:07","guid":{"rendered":"https:\/\/phoebusfoundation.org\/beleef\/discover-the-secrets-of-the-virgin-of-the-candlelight\/"},"modified":"2026-01-15T15:12:38","modified_gmt":"2026-01-15T14:12:38","slug":"discover-the-secrets-of-the-virgin-of-the-candlelight","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/discover-the-secrets-of-the-virgin-of-the-candlelight\/","title":{"rendered":"Discover the secrets of The Virgin of the Candlelight"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">As usual at The Phoebus Foundation, conservation and research go hand in hand. A beautiful example is <em>The Virgin of the Candlelight<\/em>, an anonymous Peruvian work on canvas from the 18th century which is part of the collection Latin-American art from the Colonial period. Conservator Carlos Gonz\u00e1lez Juste offers a glimpse behind the scenes of the research and conservation of this remarkable painting!<\/p>\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1254\" height=\"1871\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-1.jpg\" alt=\"Painting Our Lady of the Candle, by an anonymous Peruvian artist, 18th century, before conservation treatment.\" class=\"wp-image-3350\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-1.jpg 1254w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-1-804x1200.jpg 804w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-1-768x1146.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-1-1029x1536.jpg 1029w\" sizes=\"(max-width: 1254px) 100vw, 1254px\" \/><figcaption class=\"wp-element-caption\">Anonymous,\u00a0<em>The Virgin of the Candlelight,\u00a0<\/em>18th century (before treatment)<\/figcaption><\/figure>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<p class=\"wp-block-paragraph\">&#8216;Due to the thinness of the paint layer, it was already visible to the naked eye that there might be a previous painting underneath the current composition. Technical studies (IRR photography, x-ray images, MA-XRF scanning and wood analysis) have confirmed our suspicions and have revealed the existence of a completely finished painting underneath!&#8217;<\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"702\" height=\"966\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-2.jpg\" alt=\"Detail of Our Lady of the Candle during conservation treatment, showing the removal of varnish and overpaint.\" class=\"wp-image-3352\" style=\"width:474px;height:652px\"\/><figcaption class=\"wp-element-caption\">Varnish and overpaint removal<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1500\" height=\"2000\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-3-1500x2000.jpeg\" alt=\"Detail of Our Lady of the Candle after conservation treatment, revealing clearer colours and restored details following varnish removal.\" class=\"wp-image-3354\" style=\"width:488px;height:650px\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-3-1500x2000.jpeg 1500w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-3-900x1200.jpeg 900w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-3-768x1024.jpeg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-3-1152x1536.jpeg 1152w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-3.jpeg 1536w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<p class=\"wp-block-paragraph\">&#8216;With the conservation treatment and research of <em>The Virgin of the Candlelight<\/em>, we not only try to preserve the physical integrity of the artwork and recover its original colourful and delicate appearance. We also increase our knowledge about the techniques, materials and habits of the 17th and 18th century painting practices in Peru.&#8217;<\/p>\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"474\" height=\"244\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Picture-4.jpg\" alt=\"Comparison of a detail from Our Lady of the Candle under normal light (left) and an X-ray image of the same area (right), used for material analysis.\" class=\"wp-image-3356\" style=\"width:497px;height:256px\"\/><figcaption class=\"wp-element-caption\">Detail of the <em>Virgin of the Candlelight<\/em> with normal light (left) and x-ray image of the same area (right)<\/figcaption><\/figure>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As usual at The Phoebus Foundation, conservation and research go hand in hand. A beautiful example is The Virgin of the Candlelight, an anonymous Peruvian work on canvas from the 18th century which is part of the collection Latin-American art from the Colonial period. Conservator Carlos Gonz\u00e1lez Juste offers a glimpse behind the scenes of the research and conservation of this remarkable painting! &#8216;Due to the thinness of the paint layer, it was already visible to the naked eye that there might be a previous painting underneath the current composition. Technical studies (IRR photography, x-ray images, MA-XRF scanning and wood analysis) have confirmed our suspicions and have revealed the existence of a completely finished painting underneath!&#8217; &#8216;With the conservation treatment and research of The Virgin of the Candlelight, we not only try to preserve the physical integrity of the artwork and recover its original colourful and delicate appearance. We also increase our knowledge about the techniques, materials and habits of the 17th and 18th century painting practices in Peru.&#8217;<\/p>\n","protected":false},"featured_media":3353,"template":"","soort_artikel":[223],"class_list":["post-3359","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-behind-the-scenes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Discover the secrets of The Virgin of the Candlelight - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Conservator Carlos Gonz\u00e1lez Juste explains the conservation treatment and research of Our Lady of the Candlelight, an 18th-century Peruvian painting from the colonial period.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/beleef\/discover-the-secrets-of-the-virgin-of-the-candlelight\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Discover the secrets of The Virgin of the Candlelight - 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