{"id":3613,"date":"2022-03-25T14:59:41","date_gmt":"2022-03-25T13:59:41","guid":{"rendered":"https:\/\/phoebusfoundation.org\/beleef\/conservation-treatment-of-jordaens-christ-triumphant\/"},"modified":"2022-03-25T15:11:35","modified_gmt":"2022-03-25T14:11:35","slug":"conservation-treatment-of-jordaens-christ-triumphant","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/conservation-treatment-of-jordaens-christ-triumphant\/","title":{"rendered":"Conservation treatment of Jordaens&#8217; Christ Triumphant"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Conservators Titania Hess and Laura Guilluy take you behind the scenes of the Phoebus conservation studio!<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1491\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-1-2000x1491.jpg\" alt=\"\" class=\"wp-image-3598\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-1-2000x1491.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-1-1200x894.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-1-768x572.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-1-1536x1145.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-1-2048x1526.jpg 2048w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><figcaption>Jacob Jordaens, <em>Christ Triumphant Among the Nine Penitents<\/em> (before restoration), <em>c<\/em>.1635-40<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-2_resized.jpg\" alt=\"\" class=\"wp-image-3600\" width=\"474\" height=\"352\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-2_resized.jpg 1639w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-2_resized-1200x893.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-2_resized-768x572.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-2_resized-1536x1143.jpg 1536w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><figcaption>After cleaning and removal of the varnish<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">&#8216;<em>Christ Triumphiant<\/em>, by Jacob Jordaens, has undergone a full restoration treatment! As the painting was relined during a previous treatment, the canvas was in excellent condition. Therefore, the treatment consisted mainly of the removal of oxidized varnish and encrusted soil. With gentle solvents and aqueous gels, we managed to reveal the original paint layer and its astounding palette. A few retouches and two layers of varnish were the final operations to our conservation treatment.&#8217;<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-3-2000x1488.jpg\" alt=\"\" class=\"wp-image-3602\" width=\"474\" height=\"352\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-3-2000x1488.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-3-1200x893.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-3-768x571.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-3-1536x1143.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-3-2048x1523.jpg 2048w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><figcaption>Ma-XRF scan<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1488\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-4-2000x1488.jpg\" alt=\"\" class=\"wp-image-3604\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-4-2000x1488.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-4-1200x893.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-4-768x571.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-4-1536x1143.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/Foto-4-2048x1523.jpg 2048w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><figcaption>Designation of main zones with modified compositions<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">&#8216;Prior to this treatment, the painting was subject to an intensive research, realised by Phoebus head conservator Sven Van Dorst. Using technical analysis such as Ma-XRF scans, various changes in the composition were discovered probably due to changes in the sizes of the canvas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It turned out Jordaens painted a first composition on a less wide canvas! After a time, the Antwerp master enlarged the painting so he could realize the final composition. This enlarging of the canvas has already been observed in other paintings attributed to Jordaens, which are part of The Phoebus Foundation collection.  The observation of these paintings was crucial in understanding the technics of the Antwerp great master.&#8217;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2000\" height=\"1505\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/triomferende-christus-2000x1505.jpg\" alt=\"\" class=\"wp-image-3610\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/triomferende-christus-2000x1505.jpg 2000w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/triomferende-christus-1200x903.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/triomferende-christus-768x578.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/triomferende-christus-1536x1156.jpg 1536w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/03\/triomferende-christus-2048x1541.jpg 2048w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><figcaption>After restoration<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Conservators Titania Hess and Laura Guilluy take you behind the scenes of the Phoebus conservation studio! &#8216;Christ Triumphiant, by Jacob Jordaens, has undergone a full restoration treatment! As the painting was relined during a previous treatment, the canvas was in excellent condition. Therefore, the treatment consisted mainly of the removal of oxidized varnish and encrusted soil. With gentle solvents and aqueous gels, we managed to reveal the original paint layer and its astounding palette. A few retouches and two layers of varnish were the final operations to our conservation treatment.&#8217; &#8216;Prior to this treatment, the painting was subject to an intensive research, realised by Phoebus head conservator Sven Van Dorst. Using technical analysis such as Ma-XRF scans, various changes in the composition were discovered probably due to changes in the sizes of the canvas. It turned out Jordaens painted a first composition on a less wide canvas! After a time, the Antwerp master enlarged the painting so he could realize the final composition. This enlarging of the canvas has already been observed in other paintings attributed to Jordaens, which are part of The Phoebus Foundation collection. The observation of these paintings was crucial in understanding the technics of the Antwerp great master.&#8217;<\/p>\n","protected":false},"featured_media":3600,"template":"","soort_artikel":[223],"class_list":["post-3613","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-behind-the-scenes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Conservation treatment of Jordaens&#039; Christ Triumphant - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Conservators Titania Hess and Laura Guilluy take you behind the scenes of the Phoebus conservation studio! 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