{"id":5349,"date":"2022-09-08T09:36:58","date_gmt":"2022-09-08T07:36:58","guid":{"rendered":"https:\/\/phoebusfoundation.org\/beleef\/how-do-we-date-wood\/"},"modified":"2026-01-15T11:15:41","modified_gmt":"2026-01-15T10:15:41","slug":"how-do-we-date-wood","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/how-do-we-date-wood\/","title":{"rendered":"How do we date wood?"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"wp-block-paragraph\">This month, we had the honour and pleasure of welcoming Dr Andrea Seim to The Phoebus Foundation&#8217;s art conservation studio. With her exceptional knowledge and research in dendrochronology &#8211; the scientific method of dating annual rings of trees (also called growth rings) to the exact year in which they were formed &#8211; Dr Seim is able to date and identify the wood used in paintings on panel.<\/p>\n<\/div><\/div>\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1857\" height=\"872\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/09\/measurements.jpg\" alt=\"Macro shot of a wooden panel, with a ruler measuring the width of the growth rings for dendrochronological analysis.\" class=\"wp-image-5342\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/09\/measurements.jpg 1857w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/09\/measurements-1200x563.jpg 1200w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/09\/measurements-768x361.jpg 768w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/09\/measurements-1536x721.jpg 1536w\" sizes=\"(max-width: 1857px) 100vw, 1857px\" \/><figcaption class=\"wp-element-caption\">The width of the annual rings is measured by means of a macro photograph. This plank is part of the oak panel of\u00a0<em>The Annunciation<\/em>\u00a0by Jef Van der Veken (1872-1964)<\/figcaption><\/figure>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><div>&#13;\n<div>&#13;\n<p class=\"size-15\" lang=\"x-size-15\">During her stay, Dr Seim examined the wood from the panel V<em>irgin with Child and Two Putti in Floral Wreath<\/em>\u00a0(<em>c.<\/em>1600) by Andries Daniels ( active 1599-1602) and Ambrosius Francken I (ca. 1544\/1545-1618). For the occasion, she expressed her interest in different research methods, pointing out the importance of documentation and research on environmental and climatic changes around the world. These historical changes are an important anchor point in the analysis of historical and archaeological wood. In addition, she explained the new developments in dendrochronological research. The Phoebus Foundation was delighted to facilitate this visit with a small workshop on wood research.<\/p>&#13;\n&#13;\n<\/div><br\/><\/div><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"899\" height=\"664\" src=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/09\/Pine-transverse-section.jpg\" alt=\"Close-up of a wood anatomical analysis of the painting Adoration of the Magi by Simon Pereyns, used for material research and conservation. \" class=\"wp-image-5344\" srcset=\"https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/09\/Pine-transverse-section.jpg 899w, https:\/\/phoebusfoundation.org\/wp-content\/uploads\/2022\/09\/Pine-transverse-section-768x567.jpg 768w\" sizes=\"(max-width: 899px) 100vw, 899px\" \/><figcaption class=\"wp-element-caption\">Wood anatomical identification of the planks for\u00a0\u00a0<em>Adoration of the Magi<\/em> by Simon Pereyns (1530-1589)<\/figcaption><\/figure>\n<\/div><\/div>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This month, we had the honour and pleasure of welcoming Dr Andrea Seim to The Phoebus Foundation&#8217;s art conservation studio. With her exceptional knowledge and research in dendrochronology &#8211; the scientific method of dating annual rings of trees (also called growth rings) to the exact year in which they were formed &#8211; Dr Seim is able to date and identify the wood used in paintings on panel. &#13; &#13; During her stay, Dr Seim examined the wood from the panel Virgin with Child and Two Putti in Floral Wreath\u00a0(c.1600) by Andries Daniels ( active 1599-1602) and Ambrosius Francken I (ca. 1544\/1545-1618). For the occasion, she expressed her interest in different research methods, pointing out the importance of documentation and research on environmental and climatic changes around the world. These historical changes are an important anchor point in the analysis of historical and archaeological wood. In addition, she explained the new developments in dendrochronological research. The Phoebus Foundation was delighted to facilitate this visit with a small workshop on wood research. &#13; &#13;<\/p>\n","protected":false},"featured_media":5351,"template":"","soort_artikel":[223],"class_list":["post-5349","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-behind-the-scenes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How do we date wood? - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"Discover how dendrochronology helps date wooden panels and paintings. 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