{"id":6347,"date":"2022-12-05T10:17:44","date_gmt":"2022-12-05T09:17:44","guid":{"rendered":"https:\/\/phoebusfoundation.org\/?post_type=beleef&p=6347"},"modified":"2026-01-14T13:43:56","modified_gmt":"2026-01-14T12:43:56","slug":"new-findings-from-the-hamilton-kerr-institute-bulletin","status":"publish","type":"beleef","link":"https:\/\/phoebusfoundation.org\/en\/beleef\/new-findings-from-the-hamilton-kerr-institute-bulletin\/","title":{"rendered":"New findings from the Hamilton Kerr Institute Bulletin"},"content":{"rendered":"\n
\n

This month, we dive into Camille Polkownik’s new article \u2018An examination of a group of works related to Albrecht D\u00fcrer\u2019s trip to the Netherlands\u2019, in:\u00a0Hamilton Kerr Institute, Bulletin<\/em>, 9 (2022): \u00a087-102.\u00a0Among other things, the article examines a portrait from our collection that has recently been restored, revealing a fascinating story with unexpected results.This month, we dive into Camille Polkownik’s new article \u2018An examination of a group of works related to Albrecht D\u00fcrer\u2019s trip to the Netherlands\u2019, in:\u00a0Hamilton Kerr Institute, Bulletin<\/em>, 9 (2022): \u00a087-102.\u00a0Among other things, the article examines a portrait from our collection that has recently been restored, revealing a fascinating story with unexpected results.This month, we dive into Camille Polkownik’s new article \u2018An examination of a group of works related to Albrecht D\u00fcrer\u2019s trip to the Netherlands\u2019, in:\u00a0Hamilton Kerr Institute, Bulletin<\/em>, 9 (2022): \u00a087-102.\u00a0Among other things, the article examines a portrait from our collection that has recently been restored, revealing a fascinating story with unexpected results.This month, we dive into Camille Polkownik’s new article \u2018An examination of a group of works related to Albrecht D\u00fcrer\u2019s trip to the Netherlands\u2019, in:\u00a0Hamilton Kerr Institute, Bulletin<\/em>, 9 (2022): \u00a087-102.\u00a0Among other things, the article examines a portrait from our collection that has recently been restored, revealing a fascinating story with unexpected results.<\/p>\n<\/div><\/div>\n\n

\"Before-and-after
Before and after restauration of\u00a0Portrait of a Man\u00a0<\/em>by an unknown South Netherlandish Master, 16th century\u00a9The Phoebus Foundation<\/figcaption><\/figure>\n\n
\n
\n

Find out more by reading the abstract here:<\/p>\n\n\n\n

“The following paper is an investigation into the relationship between a drawing by German artist Albrecht D\u00fcrer (1471\u20131528) and a group of paintings, initially thought to depict the Portuguese humanist philosopher Dami\u00e3o de G\u00f3is (1502\u201374). First, the paintings were examined to establish whether they were consistent with sixteenth-century materials and compared stylistically with the drawing. Second, an argument against the current identification of the sitter was made, then an alternative identification was proposed. The technical analysis showed the paintings\u2019 materials and appearance were consistent with the sixteenth century and that they were probably made in the second quarter, shortly after the original drawing by D\u00fcrer, but most likely by an Antwerp-based studio\/workshop unrelated to D\u00fcrer. Furthermore, the research suggests the sitter cannot be de G\u00f3is and that the man depicted could be a Portuguese merchant and diplomat based in Antwerp with whom D\u00fcrer developed a friendship during his stay in the Netherlands in 1520\u201321.”<\/p>\n<\/div><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

This month, we dive into Camille Polkownik’s new article \u2018An examination of a group of works related to Albrecht D\u00fcrer\u2019s trip to the Netherlands\u2019, in:\u00a0Hamilton Kerr Institute, Bulletin, 9 (2022): \u00a087-102.\u00a0Among other things, the article examines a portrait from our collection that has recently been restored, revealing a fascinating story with unexpected results.This month, we dive into Camille Polkownik’s new article \u2018An examination of a group of works related to Albrecht D\u00fcrer\u2019s trip to the Netherlands\u2019, in:\u00a0Hamilton Kerr Institute, Bulletin, 9 (2022): \u00a087-102.\u00a0Among other things, the article examines a portrait from our collection that has recently been restored, revealing a fascinating story with unexpected results.This month, we dive into Camille Polkownik’s new article \u2018An examination of a group of works related to Albrecht D\u00fcrer\u2019s trip to the Netherlands\u2019, in:\u00a0Hamilton Kerr Institute, Bulletin, 9 (2022): \u00a087-102.\u00a0Among other things, the article examines a portrait from our collection that has recently been restored, revealing a fascinating story with unexpected results.This month, we dive into Camille Polkownik’s new article \u2018An examination of a group of works related to Albrecht D\u00fcrer\u2019s trip to the Netherlands\u2019, in:\u00a0Hamilton Kerr Institute, Bulletin, 9 (2022): \u00a087-102.\u00a0Among other things, the article examines a portrait from our collection that has recently been restored, revealing a fascinating story with unexpected results. Find out more by reading the abstract here: “The following paper is an investigation into the relationship between a drawing by German artist Albrecht D\u00fcrer (1471\u20131528) and a group of paintings, initially thought to depict the Portuguese humanist philosopher Dami\u00e3o de G\u00f3is (1502\u201374). First, the paintings were examined to establish whether they were consistent with sixteenth-century materials and compared stylistically with the drawing. Second, an argument against the current identification of the sitter was made, then an alternative identification was proposed. The technical analysis showed the paintings\u2019 materials and appearance were consistent with the sixteenth century and that they were probably made in the second quarter, shortly after the original drawing by D\u00fcrer, but most likely by an Antwerp-based studio\/workshop unrelated to D\u00fcrer. Furthermore, the research suggests the sitter cannot be de G\u00f3is and that the man depicted could be a Portuguese merchant and diplomat based in Antwerp with whom D\u00fcrer developed a friendship during his stay in the Netherlands in 1520\u201321.”<\/p>\n","protected":false},"featured_media":6345,"template":"","soort_artikel":[167],"class_list":["post-6347","beleef","type-beleef","status-publish","has-post-thumbnail","hentry","soort_artikel-news"],"acf":[],"yoast_head":"\nNew findings from the Hamilton Kerr Institute Bulletin - The Phoebus Foundation<\/title>\n<meta name=\"description\" content=\"New insights from the Hamilton Kerr Institute Bulletin examining a recently restored portrait connected to Albrecht D\u00fcrer's trip to the Netherlands.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phoebusfoundation.org\/en\/beleef\/new-findings-from-the-hamilton-kerr-institute-bulletin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New findings from the Hamilton Kerr Institute Bulletin - 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