The Brueghels. The Origins of Pictorial Genres in Europe - The Phoebus Foundation
29/09/2026 - 31/01/2027
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For generations, the Brueghel family left its mark on European painting. Palazzo Reale in Milan brings this artistic legacy together in The Brueghels. The Origins of Pictorial Genres in Europe, an exhibition exploring the development of painting in the sixteenth and seventeenth centuries.

Pieter Bruegel the Elder and the generations that followed found inspiration in the world around them. Landscapes, rural life, flowers, animals and scenes of everyday life came to occupy an increasingly prominent place in painting. Their work reflects a period in which artists began to specialise more closely in particular subjects, as landscape, still life and other genres gradually emerged as distinct fields of painting.

Painting by Roelant Savery depicting a wooded landscape with a tower and several waterbirds, 1625.
Roelandt Savery, Landscape with a Tower and a Bridge and Waterfowl in the Foreground, 1625

Four works from The Phoebus Foundation collection feature in the exhibition. In Milan, they are shown alongside works from international collections, tracing how the Brueghels’ visual language evolved across generations and travelled throughout Europe.

Painting by Jan Brueghel I depicting a bustling village market by the water, c. 1613.
Jan Brueghel I, A village landscape with a market, c.1613
Jan I Brueghel, Landscape with Windmills, with windmills, travellers and horses in an expansive landscape, c. 1611.
Jan Brueghel I, Landscape with Windmills, c.1611

The Brueghels. The Origins of Pictorial Genres in Europe is on view at Palazzo Reale in Milan from 29 September 2026 to 31 January 2027.

Roelant Savery, Cattle Market, with livestock, figures and village architecture in a wooded landscape, c. 1600–1620.
Roelandt Savery, Cattle Market, c.1600-1620

From Brueghel to Floral Still Life

Want to discover more of Jan I Brueghel’s world? The Phoebus Focus Flowers in a Vase with a Clump of Cyclamen and Precious Stones centres on one of his earliest flower pieces, with particular attention to his sources of inspiration and painting technique.

Flowers in a Vase with a Clump of Cyclamen and Precious Stones book cover featuring a floral still life by Jan Brueghel the Elder, Phoebus Focus publication on Flemish flower painting.
Cover of Flowers in a Vase with a Clump of Cyclamen and Precious Stones, a Phoebus Focus publication by Sven Van Dorst on Jan Brueghel the Elder’s celebrated floral still life.

Forever Flowers – Mastery and Meaning of Flower Paintings in the Low Countries (1600–1700) explores Flemish flower painting in greater depth, featuring works by artists including Jan I Brueghel, Daniël Seghers and Jan Davidsz. de Heem.