Behind the scenes of the Ensor exhibition in Mannheim - The Phoebus Foundation

For the exhibition James Ensor in Kunsthalle Mannheim (DE), conservator Naomi Meulemans travelled in 2021 as a courier to Germany to help with the installation of no less than 5 artworks that The Phoebus Foundation gave in loan for this project.

Technicians install a framed artwork on the wall during the set-up of an exhibition.
Technicians hang a framed painting on the wall during the installation of an exhibition.

The work of the Belgian artist James Ensor (1860-1949), the famous “painter of masks”, is deeply rooted in the history of the Kunsthalle Mannheim. As early as 1928, the painter was celebrated there in a solo exhibition as an important contemporary exceptional artist. The exhibition in Mannheim focused on Ensor’s famous self-portrait-mask-death-still life motif, which claim an important place in his oeuvre.

Painting Skeletons in Travesty (1894) by James Ensor, depicting masked skeletons in colourful costumes, rendered in expressive brushwork.
James Ensor, Skeletons in Disguise, 1894

The restrictions due to Covid-19 made it quite a challenge for our courier to attend. Naomi, however, managed to oversee the installation of all 5 artworks and made sure that the climate in the museum rooms was controlled correctly – an absolute requirement for these valuable and fragile artworks.