Edgard Tytgat - The Phoebus Foundation

Edgard Tytgat moved with ease through the currents of modern art, yet followed only one compass in the end: his own imagination. In his work, expressionism lingers not as a manifesto, but as an undertone. With a sure instinct for colour and form, he created a world in which reality gently falters and fantasy has the final say.

In this episode of Phoebus Focus, Tytgat expert Luc Van Cauteren guides us through the artist’s career, themes and key works. He carefully situates Tytgat’s oeuvre within the broader fabric of art history, revealing where it unsettles, where it shines, and where it continues to resonate.

Edgard Tytgat, Swings (1921), a painting of a fairground scene with children on swings and brightly coloured attractions, a fine example of Belgian modern art.
Edgard Tytgat, Swings, 1921 © SABAM Belgium 2026
Edgard Tytgat, Euphrasie Poses for the First Time (1941), a painting of a reclining female nude in an interior, a work of Belgian modern art.
Edgard Tytgat, Euphrasie posing for the first time, 1941 © SABAM Belgium 2026
Edgard Tytgat, Tragic Old Figures (1924), a painting showing a woman and three men in a surreal waterside landscape, Belgian modern art.
Edgard Tytgat, Tragic Old Men, 1924 © SABAM Belgium 2026
The house of Edgard Tytgat in Terkamerenstraat, Sint-Lambrechts-Woluwe, a historic black-and-white photograph of the Belgian artist’s home.
House of Edgard Tytgat in Terkamerenstraat, Sint-Lambrechts-Woluwe © SABAM Belgium 2026

Meer Tytgat? OER. Het verhaal van Vlaanderen brengt zijn wereld tot leven.