Pieter Claeissens II - Virgin and Child with Crown Imperial and Llama - The Phoebus Foundation

With Koen Fillet and Sven Van Dorst, head of restoration at The Phoebus Foundation studio.

The Madonna and Child belongs to the established repertoire of European art. Precisely for that reason, Pieter Claeissens II’s Virgin and Child with Crown Imperial and Llama calls for closer attention. Behind the familiar scene lie unexpected accents: exotic flowers and, almost unnoticed, a llama in the landscape. In this episode of Phoebus Focus, we follow the trail of these curious details. Although Claeissens never travelled far, fauna and flora from South America and Asia nonetheless found their way into his work, through an exceptional natural history manuscript and the international networks of his time. What appears to be a traditional devotional image thus opens onto a window on an early modern world in motion.

Pieter Claeissens II, Virgin and Child with Crown Imperial and Llama. The Virgin and Child in a landscape with exotic flowers, a llama, and an angel holding a crown.
Pieter Claeissens II, Virgin and Child with Crown Imperial and Llama, 1614-1623
Detail of the painting showing a red lily, anemone, white lily, and hyacinth.
Detail of the painting showing a combination of red lily, anemone, white lily, and hyacinth
Detail showing Crown Imperial (Fritillaria imperialis) and a daisy.
Detail of the painting showing Crown Imperial and a daisy
Detail of the painting showing a llama among trees and foliage in a landscape.
Detail showing a llama
Detail showing wild daffodil, hollyhock, and lady's slipper orchid among foilage.
Detail showing a wild daffodil, hollyhock, and lady’s slipper
Detail showing a snake's head fritillary among foliage.
Detail met kievitsbloem
Detail showing anemone, tulip and dandelion.
Detail showing anemone, tulip and dandelion
Detail showing deer and other small animals in a wooded, hilly landscape.
Detail of the painting showing deer and other small animals

Find out more in our publication:

Cover of the Flowers Forever by Sven Van Dorst showing a richly detailed floral still life and the subtitle Mastery and Meaning of flower paintings in the low countries (1600-1700).