Bellezza e Bruttezza - The Phoebus Foundation
20/02/2026 - 14/06/2026
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From the Ideal to the Grotesque in the Renaissance

Beauty and ugliness have always captivated, challenged and seduced humankind. Their meaning shifts with every era and culture, with art offering the keenest lens through which to trace that continual transformation.

The exhibition Beauty and Ugliness follows how artists from the late fifteenth to the late sixteenth century portrayed these extremes, from Italy to Northern Europe. By bringing these two extremes into focus, a rich and layered narrative unfolds, showing how beauty and ugliness complement, contradict and sometimes even embrace one another.

Portrait of an elderly woman wearing a white headscarf and a red garment against a dark background, painted by Quinten Metsys, c. 1514–1524.
Quinten Metsys, Portrait of an Old Woman, 1514-1524
Painting of a smiling figure in fool’s costume covering one eye with a hand, with a second figure in the background, by Frans Verbeeck, c. 1520.
Frans Verbeeck, Fool Looking through His Fingers, c.1520
Portrait of a man holding a wooden spoon, shown in profile with an open mouth, painted by Quinten Metsys, c. 1525–1530.
Quinten Metsys, A Fool with a Wooden Spoonc.1525-1530

Bellezza e Bruttezza runs until 14 June 2026 at Bozar.