We are happy to announce that three works from our collection will be part of the new exhibition ‘Hidden Gems. Seven centuries of Mechelen masterpieces’ at the Museum Hof van Busleyden.

Did you know that Frans Verbeeck and Hans Bol, both from Mechelen, made significant contributions to Flemish art history with works depicting peasant weddings? This subject was enormously popular in 15th and 16th-century. The exhibition at the Museum Hof van Busleyden will take its visitors to a timeless city where more than 100 works of art will reveal the rich history of Mechelen’s artistic landscape.

Wondering which other artwork from our collection will accompany the peasant weddings during Hidden Gems? Find out by visiting Museum Hof van Busleyden! More info available on the museum website.

Frans Verbeeck, Peasant Wedding, c.1550
Hans Bol, Peasant Wedding, 1587

Once again, we are incredibly proud to announce that our artworks are travelling! This time, three of our works are going to STAM Ghent for the new exhibition SkYline. Highrise in the Low Countries.

The exhibition focuses on various architectural and urban aspects of the city and how they shape its skyline by concentrating on the cities of Ghent and Rotterdam. This collaboration with Museum Rotterdam will analyze how and why skylines look the way they do today, how their evolution has changed throughout time, and what challenges and developments may take place in the future.

Let yourself get carried away by this architectural tour de force at STAM Ghent. Info and tickets are available on the museum website!

Jan Wilders, Panoramic view of the city of Antwerp across the River Scheldt, c.1625

Our Two Fisherboys by Frans Hals will be on display at the Frans Hals Museum from the 30th of September. The exhibition Newcomers takes visitors on a journey back in time when various Flemish artists, artisans, and merchants moved to Haarlem around 1600 and began influencing the art and the city. Through numerous works by Flemish masters, including Frans Hals, Karel van Mander, Pieter Claesz, and many more, as well as works by Dutch masters, we discover why these Flemish masters moved to Haarlem and what effect their work had on the arts and the city.

Find out more about Newcomers on the Frans Hals Museum website!

Frans Hals, Two Fisherboys, c.1634-1637

We are incredibly proud to share this flamboyant work by the Belgian futurist Jules Schmalzigaug with Rijksmuseum Twenthe for their new exhibition Marinetti and Futurism: Manifesto for a New World. The exhibition traces the evolution of futurism alongside the work of its Italian founder, Filippo Tommaso Marinetti.

Jules Schmalzigaug (1882-1917), who grew up in Antwerp and later traveled to Germany, Paris, and Italy, was the only painter from Belgium to develop a close relationship with the Italian Futurists in the prewar period. During his stay in Paris in 1912, on the occasion of an exhibition on Futurism, he attended Marinetti’s lecture at Galerie Bernheim-Jeune. This experience convinced Schmalzigaug to move to Italy, where he exhibited alongside the most famous figures of Futurism.

Find out more about the works of the futurists during the new exhibition in Rijksmuseum Twenthe!

Jules Schmalzigaug, The Dynamic of the Dance, c.1913

We are proud to announce that two of our works depicting Susanna and the elders will be presented in the Wallraf-Richartz-Museum in Cologne for the SUSANNA – Images of a Woman from the Middle Ages to MeToo exhibition.

The exhibition will investigate the violent and sexualising pictorial tradition of Susanna throughout history alongside the MeToo movement. Masterworks by artists such as Hendrick de Clerck, Artemisia Gentileschi, Anthony van Dyck, and others will be displayed alongside contemporary artworks by Kathleen Gilje and Zoe Leonard. The exhibition offers a relevant and essential perspective on the representation of one of the most prominent female figures in history and the representation of women in general.

Find out more about SUSANNA – Images of a Woman from the Middle Ages to MeToo on the Wallraf-Richartz Museum website!

Jan Massys, Susanna and the Elders, c.1540-1560
Hendrick de Clerck, Susanna and the Elders, c.1580

M Leuven has joined forces with the Louvre Museum to exhibit alabaster in all its glory. More than 130 masterpieces carved out of alabaster will be on display, exploring the materiality and immateriality of works by masters such as André Beauneveu, Jean Mone, Étienne Bobillet, and many others. Find out more about this exhibition on the M Leuven website!

We are tremendously honored to have contributed to this exceptional exhibition with no less than six alabaster loans, two of which are pleurants. Pleurants are figures who mourn the death of their duke and serve as grave ornaments. In this case, they mourn John of Berry, a prince from the house of Valois, a French dynasty that ruled during the Middle Ages. As an art lover, John of Berry wanted to make sure his tomb would be as magnificent as possible, so the pleurants became the perfect ornament to adorn his grave.

Want to know more about Jean de Berry’s pleurants? Read our Phoebus Focus XXVI Pleurants, Alabaster figures for the Tomb Monument of Jean de Berry (1340-1416), available in our web store!

Two pleurants from the tomb of John, Duke of Berry c.1450-1453

Landscape with archers by Gillis Mostaert I will be on display in Mudel for two more weeks!

‘SHOOT. Archery, a cultural heritage’ is an exhibition that focuses on the historical link between Deinze and archery. Its history will be extensively illustrated through various artistic, religious, historical, and sporting aspects. Until the 25th of September, you can book tickets and discover more about this fascinating work by Mostaert and more!

Gillis Mostaert I, Landscape with archers, c. 1574

The Antwerp artist, Anthony Van Dyck (1599-1641) cherished his friendships and he did so by depicting his closest friends – other artists, merchants, collectors or musicians – in a portrait.

The painting of the Antwerp musician and composer Henricus Liberti (ca. 1610-1669) emerged during the 17th century. Liberti was active as a singer and organist at the Antwerp Cathedral for at least thirty years, but his portrait by Van Dyck has been away from his Antwerp home for a very long time. From Bear Stake Gallery to Euston Hall, the portrait has been in England for more than two and a half centuries. Eventually, it did make its way back to Antwerp through The Phoebus Foundation.

Admire the portrait until the 12th of November at Museum Vleeshuis!

Anthony Van Dyck, Portrait of Henricus Liberti, c. 1627-1632

Want to know more about the fascinating portrait of Henricus? Read our Phoebus Focus XXVII Portrait of Henricus Liberti, available in our online store!

Last chance to visit our travelling treasure in STeM Sint-Niklaas!

We are proud that The First Atlas Map to Use the Word “America” is part of the Recht Door Zee  exhibition, which focuses on navigating the world from 1500 until today. The exhibition highlights the ever-evolving knowledge of cartography, geography, and astronomy. Amongst others, manuscripts, portolan maps, handcrafted curiosities, and multiple historic naval objects are on display.

Laurent Fries, The First Atlas Map to Use the Word “America”, 1525

The First Atlas Map to Use the Word “America” ’ is an essential element as it contributed to maintaining the place name “America”. If It weren’t for French physician and mathematician, Laurent Fries (1485-1532), the name would have probably fallen out of use.

Until the 11th of September, the exhibition guides you through a time-traveling experience amongst three locations, covering almost 1200 square meters. Don’t miss it!

The Noordbrabants Museum in ‘s-Hertogenbosch (NL) is currently the place to be for fans of art from the Latem school!

The exhibition Symbolism in Flanders focuses on the first generation of artists from the picturesque artist village of Sint-Martens-Latem. Three important artists take the stage: sculptor Georg Minne, landscape specialist Valerius De Saedeleer and Gustave Van de Woestyne, known for his finely drawn, powerful peasant heads. The artworks of these talented masters express their urge to escape the modern, busy city and return to nature, origin and inner peace.

Gustave Van de Woestyne, Farmer’s Wife, 1926

Valerius De Saedeleer, Pear tree in the Flemish Ardennes, c.1925

With no less than 6 loans from Gustave Van de Woestyne and Valerius De Saedeleer, we are very proud to have contributed to this exceptional exhibition!

Our loans literally travel around the world. You can even find our masterpieces in Los Angeles!

Since April, Flowers in a Vase with a Clump of Cyclamen and Precious Stones by master painter Jan I Brueghel (1568-1625) has been on display at the J. Paul Getty Museum as part of the museum’s permanent collection.

Daffodils, hanging pink roses, an orange lily, flaming tulips, bright blue irises, … The variety of flowers and bright colours are overwhelming and splash from this small panel.Flowers in a Vase with a Clump of Cyclamen and Precious Stones is a masterpiece by one of the most important painters of the late sixteenth and early seventeenth century: Jan Brueghel I (1568-1625). Although he was also known as ‘Bloemenbrueghel’, it was only in his late thirties that he began to paint flower vases. Flowers in a Vase with a Clump of Cyclamen and Precious Stones is one of the earliest and most beautiful examples.

Curious to see this panel with your own eyes? It is waiting for you in La la land!

Jan Brueghel I, Flowers in a Vase with a Clump of Cyclamen and Precious Stones, c.1605-07

Meet Anto-Carte (1886-1954)! A Mons artist who was a painter, lithographer and illustrator at the same time, he became known all over the world thanks to exhibitions in the United States, Spain and Italy.

With the exhibition Anto-Carte. Heaven and Earth, the BAM immerses you in the world of Anto-Carte, whose work weaves a fascinating link between the centuries. After all, the expertise of the great masters of painting is reflected in paintings painted in the first half of the 20th century by this internationally renowned artist from Mons.

80 works from public and private collections show Anto-Carte’s painting that focuses on the pursuit of the sacred. The artist revisited the classic themes of Christian iconography and at the same time honoured the grandeur of the peasant world in his works. You will also discover a fascinating work from the collection of The Phoebus Foundation !

Anto-Carte, Satyr and Nymph, 1914

Fans of armour will be in for a treat at Kunsthistorisches Museum in Vienna! In the exhibition Iron Men, you will discover the most beautiful suits of armour from the largest collections in the world. From paintings and sculptures to authentic, life-size armour: immerse yourself in a world of fashion and steel.

You will also discover an exceptional sculpture of Charles V in – literally – magnificent armour from the collection of The Phoebus Foundation.

Unknown master, Charles V, c.1500

Do you like modernist art? Mu.Zee in Ostend is your place to be! Moreover: you can discover Transatlantic modernisms! The exhibition tells the surprising story of the artistic connections between Belgium and Argentina from 1910 to 1958. The artists from both regions may have lived miles apart, their contacts and influences were particularly close. The friendship between artists Julio Payro and Paul Delvaux is one of the many examples of these artistic relations.

Joaquin Torres-Garcia, Arte Constructivo, 1943

With no fewer than four loans, we are honoured to have contributed to this special project. Book your ticket now!

Héctor Ragni, Pareja Abstraca, 1935

Did you know Antwerp was the capital of harpsichords between 1560 and 1660? With the exhibition Keyboard Instruments, the Snijders&Rockox House Museum and the Vleeshuis Museum take you back to the golden age of the Antwerp harpsichord.

Anonymous, Two Panels with Musical Angels, c.1500-50

At the Snijders&Rockox House Museum you can discover paintings by Frans Floris, Jacob Jordaens, Maerten de Vos, the Francken family and others, with Antwerp organs, harpsichords and virginals in the leading role. At the Vleeshuis Museum you can admire the harpsichords and virginals and unique painted harpsichord lids.

Frans Francken II, The Passage of Moses and the Israelites through the Red Sea, c.1620

With no less than eight loans, including a newly discovered harpsichord lid by Frans II Francken, The Phoebus Foundation is honoured to be a partner of this special exhibition!

Today a name stands out from the Frankish dynasty, that of Frans Francken the Younger (1581-1642) considered to be an outstanding artist. This contemporary of Rubens is distinguished by his unique, refined style, by the diversity of subjects he tackled and by his prolific output which flooded the Antwerp market. Trained by his father Frans the Elder, a renowned religious painter, he asserted his personality and taste for learning very early on: his works include multiple references to history and literature, and even esoteric sources. His fine artworks responded to the demands of the bourgeois wishing to demonstrate their knowledge: his success was immediate. A studio was then set up, a real commercial enterprise which called on famous collaborators from time to time such as Jan Brueghel and who also employed his brothers and sons.

Frans Francken II, Crucifixion, c.1610

In Flanders, the mode of apprenticeship based on the medieval tradition of craft guilds encouraged artistic filiation. So, the Francken dynasty is a story of several generations of artists united by blood ties and a common expertise. Although Frans Francken the Elder and Ambrosius Francken I revealed their talent through spectacular religious triptychs, Hieronymus Francken I rose to the prestigious position of painter to the King of France. Each followed their own path based on the proposals received and their inclinations, while benefiting from a brand, the Francken brand.

Frans Francken II, An Art Cabinet with Abraham Ortelius and Justus Lipsius, 1617

From 04/09 to 02/01/2022, you can discover the Franckens at Musée de Flandre in Cassel (France) and admire three extraordinary works of art from The Phoebus Foundation. Click here for more info.

Frans Francken II and Ambrosius Francken, The Feast of King Herode, 1610

Imagining the Universe is part of Leuven’s KNAL! Big Bang City Festival, which focuses on the fascination with the cosmos and its impact on science and culture. The exhibition tells the story of man’s fascination with the cosmos and how this is reflected in the visual arts and thought up until the 19th century. The visitor is taken through history and discovers the answers that were formulated in the Middle Ages and early modern times to the fundamental questions about our origins.

Imagining the Universe portrays the enduring wonder and ongoing search for insights into the origins of the universe and mankind in this immeasurable system. Selected masterpieces from national and international collections then how, across time, space and cultures, broad answers to various, fundamental questions surrounding the origin of man have been conceived, expressed, depicted, embraced and rejected. You’ll also discover two fascinating loans from our collection!

Remember Me. More than 100 Renaissance Portraits, from Dürer to Sofonisba tells the story of powerful emperors, flamboyant aristocrats and well-to-do citizens and how they had themselves immortalized throughout the 15th and 16th centuries. Showing various masterpieces by famous artists such as Holbein, Dürer, Memling and Titian, this unique exhibition highlights the first real blossoming of portraiture in Europe.

Besides Renaissance portraits from Turin, Frankfurt and Washington, you can admire two exceptional works by Jan Van Hemessen and Jan Van Scorel from the collection of The Phoebus Foundation!

Jan Van Scorel, Portrait of Joost Aemsz. Van der Burch, c.1530-41
Jan Van Hemessen, Double Portrait of a Man and a Woman, 1532

Peter Paul Rubens (1577–1640) is arguably the most successful Flemish Baroque painter. His works are characterized by an impressive, colorful imagery that is highly recognizable. Even during Rubens’s lifetime were people prepared to pay the highest prices for his works. But how did Rubens succeed in becoming a painter who is celebrated throughout all of Europe?

This exhibition shows how Rubens laid the foundations for his later success in Italy: he worked in Italy for the ducal court in Mantua as well as for the powerful Doge families in Genoa. Between 1600 and 1608, he continuously expanded his network and gained influential nobles, scholars and diplomats as patrons. Meanwhile, he spent his Italian years to study ancient and renaissance art in Rome and elsewhere.

One hundred paintings and works on paper tell the story of Rubens’ stay in Italy and the beginnings of his great studio in Antwerp. With the loan of Rubens’ Portrait of Emperor Servius Sulpicius Galba and the drawing A satyress Reaches for a Herm of Pan from the master’s sketchbook, The Phoebus Foundation is making an important contribution to this exhibition.

Peter Paul Rubens, A Double-sided Page of Studies:A Satyress Reaching for a Herm of Pan (recto), c.1600-08
Peter Paul Rubens, Portrait of Emperor Galba, c.1598-1600