With Koen Fillet and Dr Katharina Van Cauteren, chief of staff of The Phoebus Foundation Chancellery.

In this episode of the Phoebus Focus podcast, Quispe Tito’s ‘Holy Family in Nazareth’ takes center stage. Katharina Van Cauteren and Koen Fillet explore the fascinating connections between a painting from a brand-new world and a print from a much older one. Holy Family bridges two cultures: the thinking of the Jesuits and the heritage of the Incas. What follows is a story about artistic and cultural legacies.

Diego Quispe Tito, Holy Family in Nazareth, c.1675
Hieronymus Wierix, Jesus Gathers Up Chips of Wood while Saint Joseph Chops Tree Trunks and Mary Winds Threadc.1600
Hieronymus Wierix, Jesus Sweeps the Floor while Saint Joseph Splits a Beam and Mary Cooksc.1600
Hieronymus Wierix, Jesus Helps Saint Joseph Saw while Mary Spinsc.1600 Amsterdam, Rijksmuseum

With Koen Fillet and Leen Kelchtermans, Researcher of The Phoebus Foundation

This podcast episode reveals new insights into the life and work of Baroque composer Henricus Liberti, thanks to research by Dr. Leen Kelchtermans’ into surviving archival documents.

Anthony Van Dyck, Portrait of Henricus Libertic.1627-1632
Pieter De Jode II after Anthony Van Dyck, Portrait of Henricus Liberti, in: Anthony Van Dyck, Icones Principum Virorum, 1645-1646. Amsterdam, Rijksmuseum

With Koen Fillet and Dr Paul Huvenne, art historian and former director of KMSKA.

Discover the profound meaning behind Constant Permeke’s powerful brushstrokes and draw inspiration from the fascinating story of his life and work.

Constant Permeke, The Black Bread, 1923

With Koen Fillet and Dr Katharina Van Cauteren, chief of staff of The Phoebus Foundation Chancellery.

The anonymous Mere-Monster of Lake Tagua Tagua is the synthesis of more than 300 years of visual tradition. At its core, it harks back to medieval encyclopaedias, but its gallant snout betrays an 18th-century identity. Indeed, the Mere-Monster appears to be pure political propaganda.

Anonymous, Mere-Monster of Lake Tagua Tagua, c.1784

With Koen Fillet and Leen Kelchtermans, researcher at The Phoebus Foundation

In this episode, we dive into the fascinating world of Baroque self-portraits. Together with Dr Leen Kelchtermans, we discover more about the fascinating dynamic created when artists are both the model and creator of a work of art. Furthermore, we highlight why they immortalise themselves, and where they look for inspiration. A unique look into the artistic masterminds of the past!

Antoon Van Dyck, Portrait of Antwerp Jeweller Johannes Gansackerc.1619-20
Jan Cossiers, Self-Portraitc.1620-27
Johannes Wierix, Portrait of Frans Floris, 1572
Anthony Van Dyck and Jacob Neefs, Title Page with Self-Portrait of Anthony Van Dyck, 1645-46
Erasmus Quellinus II, Portrait of Jan Philips Van Thielen, c.1659-60
David Teniers II, Self-Portrait at the Age of Thirty-Four, 1645
Albrecht Dürer, Self-Portrait, 1498 Madrid, Museo Nacional del Prado

Excited for more? Discover The Bold and the Beautiful in Flemish Portraits, the story of Flemish portraiture told through dozens of masterpieces.

Uncover the meaning behind the sixteenth-century triptych, St Luke Painting the Madonna, a cherished piece within The Phoebus Foundation collection. Through the meticulous restoration skills of Sven Van Dorst and the comprehensive art historical research conducted by Niels Schalley, this masterpiece is now revealed in its full historical and artistic glory.

Unknown Master, St Luke Painting the Virgin and Child Triptych, centre: St Luke Painting the Virgin and Child; left wing: Virgo Lactans; right wing: Benedictine Monk in Prayer, c.1520-1530
Detail of the left wing
Virgo Lactans
St Luke Painting the Virgin and Child
Benedictine Monk in Prayer
Exterior of the wings: Skull and Bone, c.1520-1530

The Brussels painter Adam Frans Van der Meulen (1632-1690) created quite a furore at the court of the French King Louis XIV (1638-1715) when he immortalised his military triumphs, embellished with the necessary pomp and bravado. However, the work depicting the royal couple’s entry into Douai in 1667 was even more astonishing! In this Phoebus Focus episode, Dr Leen Kelchtermans brings various subtleties and details to light, unravelling new insights into the creation and meaning of this work of art.

Adam Frans Van der Meulen, Entry of Louis XIV and Maria Theresia in Douai in 1667, after 1667 Antwerp, The Phoebus Foundation
Detail of the version in the collection of The Phoebus Foundation: horsemen behind the carriage
Detail of the version in the collection of The Phoebus Foundation: unknown horseman
Detail of the version in the collection of The Phoebus Foundation: ladies in the carriage

Want to know more? Discover the Phoebus Finding:

With Koen Fillet and Katrijn Van Bragt, Collection Consultant of The Phoebus Foundation

Within portraiture, children portraits are a special genre. The representations of boys and girls, dressed in lavish attire and in a stately and serious pose, don’t immediately catch the eye and even look odd at first glance. But in fact, they contain a particularly interesting, often emotional story. In this episode of Phoebus Focus, you can discover, together with Katrijn Van Bragt, all about the history and evolution of this special portrait genre.

Dirk Bouts (studio), The Virgin with Child in an enclosed garden, 1468
Anthony Van Dyck, Portrait of Willem II of Orange, c.1631
Jacob Jordaens, As the Old Sing, So the Young Pipe, c.1640-45

Want to know more about children’s portraits? Discover the essay ‘Forever Young. Children of Paint and Varnish’ in the book The Bold and the Beautiful in Flemish Portraits.

In this ‘Phoebus Focus’ episode, chief of staff of The Phoebus Foundation, Dr Katharina Van Cauteren, sheds light on the various meanings and motifs behind the painting ‘Susanna and the Elders’ by the Brussels artist Hendrick De Clerck. With her expertise in De Clerck’s oeuvre, Dr Van Cauteren masterfully places the artist and his work in their art-historical and social context.

Hendrick De Clerck, Susanna and the elders, c.1625
David Vinckboons, Elegant Company in a Palace Garden: Allegory of the Five Senses (detail), c.1610-1620

With Koen Fillet and art historian Peter J.H. Pauwels

In this Phoebus Focus episode, we take a closer look at the oeuvre of Frits Van den Berghe. Based on the Coming Home. Flemish Art 1880-1930 publication, art historian Peter J.H. Pauwels highlights the artist’s strikingly personal and, at the same time, challenging style.

Frits Van den Berghe, Little girl in the garden, 1909
Frits Van den Berghe, The awakening dream, 1926
Frits Van den Berghe, The Sun Painter, 1921

With Koen Fillet and art historian Prisca Valkeneers

This work by Frans Ykens is a perfect example of how things are not always what they seem. At first glance, the scene might appear to be a simple still life, but upon closer inspection, the painting reveals a whole world of intricacies and hidden meanings. In this episode of Phoebus Focus, art historian Prisca Valkeneers delves into the artwork’s secrets and sheds light on the many layers of meaning hidden within it.

Frans Ykens, ‘Kitchen Still Life with Christ in the House of Mary and Martha’, c.1645

With Koen Fillet and Dirk Imhof, former curator of books and archives at the Plantin-Moretus Museum in Antwerp.

In this Phoebus Focus episode, Dr Dirk Imhof outlines the context and significance of Christophe Plantin’s Biblia Regia on vellum, one of the most impressive book printing projects of the Renaissance.

A Page of Syriac, Latin, Greek and Aramaic from the New Testament. In: Biblia Regia on Vellum, Antwerp (Christophe Plantin), 1568-1572
Biblia Regia on Vellum, Bound in an Eighteenth-Century Leather Binding, Antwerp (Christphe Plantin), 1568-1572
Title Page of the New Testament. In: Biblia Regia on Vellum, Antwerp (Christophe Plantin), 1568-1572
Title Page of the Pentateuch, In: Biblia Regia on Vellum, Antwerp (Christophe Plantin), 1568-1572

With Koen Fillet and Marjan Debaene, sculpture specialist and Head of Collections at M Leuven.

In this Phoebus Focus episode, sculptor Jan Borman II gets the recognition he deserves thanks to sculpture specialist and Head of Collections at M Leuven Marjan Debaene. The artist and his exquisite Madonna and Child are framed within an extensive artistic network. Contemporaries rightly praised Borman as the best sculptor.

Jan Borman II, Madonna and Child, c.1480
Jan Borman II, Madonna and Child, c.1480
Jan Borman II, Madonna and Child, c.1480

With Koen Fillet and Sven Van Dorst, head of conservation at The Phoebus Foundation studio

Daffodils, pink roses, an orange lily, tulips, bright blue irises … The variety of flowers and the bright colours is overwhelming and almost splashes off this little panel. This composition is a masterpiece by Jan Brueghel I (1568-1625), one of the most important painters of the late 16th and early 17th centuries. In this episode of Phoebus Focus, you discover the inspirations, motivations, and working methods behind Brueghel’s devotion to floral splendour.

Jan Brueghel I, Flowers in a Vase with a Clump of Cyclamen and Precious Stones, 1605-1607

With Koen Fillet and Timothy De Paepe, director of Museum Vleeshuis.

In this Phoebus Focus episode, we dive behind the mysterious portrait of the musician Henricus Liberti by Anthony Van Dyck. Director of Museum Vleeshuis, Timothy De Paepe, outlines a brief history of the man who, as organist of the Antwerp Cathedral during the early 17th century, defined the sound of the city. But, more than that, an analysis of Van Dyck’s portrait of Liberti reveals striking details about the unique portrayal of this fascinating figure.

Anthony Van Dyck, Portrait of Henricus Liberti, c. 1627-1632

With Koen Fillet and Leen Kelchtermans, researcher of The Phoebus Foundation

Who is this young lady, and by whom was she so accurately portrayed? In this episode, researcher of The Phoebus Foundation, Leen Kelchtermans, unravels the mystery behind this seventeenth-century portrait. This Phoebus Focus episode offers a fascinating insight into the young lady’s bygone reality: how she dressed, what norms and values she lived by, and what it meant to be married in 1613.

Anonymous Antwerp Master, Portrait of a Young Woman, 1613

Want to know more? Order the Phoebus Focus publication!

With Koen Fillet and art historian Inge Misschaert

At first glance, this artwork seems to depict a winter scene with happy children playing in the snow, but upon closer inspection, we discover that nothing is what it looks like. In this episode of Phoebus Focus, Koen Fillet talks with art historian Inge Misschaert about Ghent etcher Jules De Bruycker and his work ‘Patershol in Ghent’. From festive fun to injustice and despair, discover everything about ‘Patershol in Ghent’ in this brand-new Phoebus Focus episode!

Jules De Bruycker, Patershol in Ghent, c.1915

Want to know more? Order the Phoebus Focus publication!

In this episode of ‘Phoebus Focus’, you will discover everything about the garden of Eden, political propaganda, Archdukes Albrecht and Isabella, and the gardens of the Coudenberg Palace. But what do they all have to do with each other? Dr Katharina Van Cauteren, chief of staff of The Phoebus Foundation, and Koen Fillet take you to the imaginative 17th-century depiction of paradise by Hendrick De Clerck and Denijs Van Alsloot. The painting reveals an abundance of religious, artistic, and political information.

the garden of Eden hendrick de clerck
Hendrick De Clerck and Denijs Van Alsloot, The Garden of Eden with the Four Elements, 1613

Want to know more? Order the publication!

With Koen Fillet and Leen Kelchtermans, researcher of The Phoebus Foundation

In this episode of Phoebus Focus, you will learn everything about religious women and their devotion, but also about Catholic and dynastic power plays. Phoebus researcher Leen Kelchtermans and Koen Fillet take you from the seventh to the seventeenth century and explore how Begga, daughter of Itta of Nivelles (c. 592-652) and Pepin the Elder (c. 580-639), was designated as the foundress of the flourishing beguine movement in 1630. Then, around 1635, Flemish baroque topper Jacob Jordaens (1593-1678) painted Holy Begga, resulting in a painting brimming with fascinating stories!

Jacob Jordaens, Saint Begga, c.1635

Want to know more? Order the Phoebus Focus publication!

With Koen Fillet and Timothy De Paepe, director of Museum Vleeshuis.

In this episode, Timothy De Paepe peels the layers of a late sixteenth-century scene, as if it were an onion. If you look superficially, you see what the title of the work promises: elegantly dressed figures celebrating in a garden. But as the author lets you look with the eyes of a sixteenth-century man, he takes you into a world of entertainment and dance, but also of foolishness, envy and lust.

Circle of Joris Hoefnagel, Elegant Company in a Garden, c.1570-1590.

Want to know more? Order the Phoebus Focus publication!

With Koen Fillet and Leen Kelchtermans, researcher of The Phoebus Foundation

War, insecurity, refugees, and economic crisis are just a few suspiciously familiar-sounding keywords that marked the 17th century. Peter Snayers specialised in painting war scenes. Besides large canvases that glorified commanders, he also depicted the ordinary man or woman ravaged by the daily reality of war. A raid on travellers does not usually make it into the history books. However, it is at the center of Attack on Travellers, a work by Snayers which is discussed in this episode of Phoebus Focus. Together with Koen Fillet, Phoebus researcher Leen Kelchtermans revives a forgotten master and a forgotten piece of history.

Peter Snayers, Attack on Travellers, c.1640-1650

Want to know more? Order the Phoebus Focus publication!

With Koen Fillet and Naomi Meulemans, conservator modern and contemporary art from The Phoebus Foundation

Conservator Naomi Meulemans looks over the shoulder of CoBrA artist Karel Appel with the work Bird (1954). Like no other, she is able to unlock secrets from the materiality of the paint. The author dissects Appel’s painting layer by layer. The outcome is somewhat sobering. Were the CoBrA artists really as ‘free’ as they wanted to believe? Listen now (in Dutch)!

Karel Appel, Bird, 1954

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With Koen Fillet and Leen Kelchtermans, Researcher of The Phoebus Foundation

The portrait of Elisabeth Jordaens may seem charming at first sight, but it also raises many questions. Who was Elisabeth Jordaens? When did her father, the famous Jacob Jordaens, paint her portrait and why does she look like a peasant girl?

In this episode, Jordaens expert Leen Kelchtermans takes you through the story behind the painting and together with her you will discover the surprising answers to these questions. Listen now (in Dutch)!

Jacob Jordaens, Portrait of Elisabeth Jordaens, c.1637-1645

Want to know more? Order the Phoebus Focus publication!

With Koen Fillet, Sven Van Dorst (Chief Conservator) and Niels Schalley (Project Coordinator) of The Phoebus Foundation

The life of Saint Dymphna reads like a fairy tale! The life story of this remarkable saint appeals so much to the imagination that Goossen Van der Weyden (1465-1538), grandson of the famous Rogier, painted an altarpiece, consisting of eight panels, with an episode from the life of Dymphna on each panel. But it is not only the iconography of the masterpiece that is surprising. For more than three years, the panels were subjected to an extensive conservation treatment by the conservators of The Phoebus Foundation. They discovered even more extraordinary stories, which had been hidden for centuries under layers of dust and dirt. 

In the fourth episode of Phoebus Focus, Sven Van Dorst and Niels Schalley take you along their discoveries of the secrets of Dymphna and Goossen Van der Weyden. (in Dutch)

Would you like to admire the panels with your own eyes? Visit our Crazy about Dymphna exhibition!

Digital construction of Altarpiece with the Life of Saint Dymphna (1505)

Want to know more? Order the Crazy about Dymphna book!

With Koen Fillet and Hildegard Van de Velde, curator of the Snijders&Rockox House Museum.

Never heard of Maerten De Vos (1532-1603)? In sixteenth-century Antwerp he may have been a superstar, but today his fame is far less than that of, for example, Peter Paul Rubens. In this episode, Hildegard Van de Velde, curator of the Snijders&Rockox House Museum, introduces you to this talented superstar and guides you through his masterpiece The Allegory of the Seven Liberal Arts.

Maerten De Vos, The Allegory of the Seven Liberal Arts, c.1560-90

Want to know more? Order the Phoebus Focus publication!

With Koen Fillet, Katrijn Van Bragt (Collection Consultant) and Sven Van Dorst (Chief Conservator) of The Phoebus Foundation

The Study of a Young Woman (c.1649-1659) by the Brussels artist Michaelina Wautier appears at first sight to be an ordinary study. Nothing could be further from the truth! A look into the details and behind the layers of paint reveals great secrets of this forgotten important artist. Not only her striking life itself but also the intriguing work raises many questions. Who is the woman depicted? How was the work created and what was its function? Thanks to recent technical research, it is possible to see the painter at work.

In this second episode of Phoebus Focus, Katrijn Van Bragt and Sven Van Dorst take you behind the paint layers of Study of a Young Woman and discover the secrets of one of the most extraordinary artists.

Michaelina Wautier, Study of a Young Woman, c.1649-59
‘Study of a Young Woman’ 180° turned, MA-XRF-scanning for mercury (Hg)

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With Koen Fillet and Sven Van Dorst, head of conservation at The Phoebus Foundation studio

In the seventeenth century, the Jesuit Daniel Seghers must have been something of a pop star. He worked with Peter Paul Rubens, Cornelis Schut, Gonzales Coques and Erasmus II Quellinus. The highest-ranking nobles queued up for his flower still lifes. Studying his work opens up a whole new world. Years of extensive and remarkable technological-material research sheds light on the past and present. It allows us to literally look through the layers of paint, over the artist’s shoulder.

In this first episode of Phoebus Focus, Sven Van Dorst takes you into the wonderful flower world of Daniël Seghers.

Daniël Seghers, Vase with Roses, Daffodils and Tulips, c.1630-40

Want to know more? Order the Phoebus Focus publication!